Blood Drops Red Words: Considering VestAndPage’s blood writing in performance

This self-reflective article addresses how VestAndPage (Verena Stenke & Andrea Pagnes) have been exploring blood in a bifold symbolic value as a performative tool since 2006: connection–separation, immutability–violation, abjection–access. After medical complications and becoming blood donors, the artist duo has started deploying surgical instruments in their performances to engrave Pagnes’s skin, extract his blood, and ritualise this process into stream-of-consciousness writing. Thus, blood becomes a device of intimacy that allows them to transcend the representation of concepts and explore the human condition’s transitory presence and fragile nature.

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Publication Details

Journal
Urdimento
Published
2025-08-31
DOI
https://doi.org/10.5965/1414573102552025e0203in
Primary Topic
Samuel Beckett and Modernism
Type
article
Field-Weighted Citation Impact
0.00
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article

Blood Drops Red Words: Considering VestAndPage’s blood writing in performance

Andrea Pagnes
Urdimento
Samuel Beckett and Modernism
article

Blood Drops Red Words: Considering VestAndPage’s blood writing in performance

Andrea Pagnes
article en

Abstract

This self-reflective article addresses how VestAndPage (Verena Stenke & Andrea Pagnes) have been exploring blood in a bifold symbolic value as a performative tool since 2006: connection–separation, immutability–violation, abjection–access. After medical complications and becoming blood donors, the artist duo has started deploying surgical instruments in their performances to engrave Pagnes’s skin, extract his blood, and ritualise this process into stream-of-consciousness writing. Thus, blood becomes a device of intimacy that allows them to transcend the representation of concepts and explore the human condition’s transitory presence and fragile nature.

UrdimentoVol. 2(55)
Universidad de las Artes (EC)
Openalex Percentile: Top 75%
Samuel Beckett and Modernism
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