Rediscovering the “Lost Continent”: Elaine Showalter, Feminist Criticism, and the Global Female Literary Tradition

This essay revisits Elaine Showalter’s seminal essay “The Female Tradition” from A Literature of Their Own (1977) and explores its significance in mapping a female-centered literary history. By tracing the trajectory of women’s writing through the Feminine, Feminist, and Female phases, Showalter sought to recover a longneglected tradition that remained concealed under the dominant culture. The essay merges the original write‑up’s language with supplementary analysis and critical dialogue, situating Showalter within broader debates in feminist literary criticism. It incorporates reflections by contemporaries such as G. H. Lewes, J. S. Mill, Ernest A. Baker, Patricia Meyer Spacks, Ellen Moers, and Nancy Cott, along with later engagements by Toril Moi, Gayatri Chakravorty Spivak, and Hermione Lee. Additionally, it expands the discussion through comparative examples from world literature—Simone de Beauvoir, Toni Morrison, Buchi Emecheta, Clarice Lispector—and Indian writers including Toru Dutt, Ismat Chughtai, Mahasweta Devi, Anita Desai, and Arundhati Roy. Ultimately, it argues that while Showalter’s model is foundational, feminist literary criticism must continue evolving toward intersectional, transnational, and decolonial frameworks.

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Publication Details

Journal
Journal of Research in Humanities and Social Science
Published
2025-09-01
DOI
https://doi.org/10.35629/9467-13096165
Primary Topic
Gender, Feminism, and Media
Type
article
Field-Weighted Citation Impact
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article

Rediscovering the “Lost Continent”: Elaine Showalter, Feminist Criticism, and the Global Female Literary Tradition

Girija Suri
Journal of Research in Humanities and Social Science
Gender, Feminism, and Media
article

Rediscovering the “Lost Continent”: Elaine Showalter, Feminist Criticism, and the Global Female Literary Tradition

Girija Suri
article en

Abstract

This essay revisits Elaine Showalter’s seminal essay “The Female Tradition” from A Literature of Their Own (1977) and explores its significance in mapping a female-centered literary history. By tracing the trajectory of women’s writing through the Feminine, Feminist, and Female phases, Showalter sought to recover a longneglected tradition that remained concealed under the dominant culture. The essay merges the original write‑up’s language with supplementary analysis and critical dialogue, situating Showalter within broader debates in feminist literary criticism. It incorporates reflections by contemporaries such as G. H. Lewes, J. S. Mill, Ernest A. Baker, Patricia Meyer Spacks, Ellen Moers, and Nancy Cott, along with later engagements by Toril Moi, Gayatri Chakravorty Spivak, and Hermione Lee. Additionally, it expands the discussion through comparative examples from world literature—Simone de Beauvoir, Toni Morrison, Buchi Emecheta, Clarice Lispector—and Indian writers including Toru Dutt, Ismat Chughtai, Mahasweta Devi, Anita Desai, and Arundhati Roy. Ultimately, it argues that while Showalter’s model is foundational, feminist literary criticism must continue evolving toward intersectional, transnational, and decolonial frameworks.

Journal of Research in Humanities and Social ScienceVol. 13(9)
Amity University (AE)
Openalex Percentile: Top 70%
Gender, Feminism, and Media
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