Celebrating the past in peacetime: The Leelik War dance of the Bulsa of Northern Ghana

This article is a historical narrative analyzing the annual Leelik, a war dance of the Bulsa in the northern parts of Ghana in the context of the Feok festival. Leelik expresses the warfare narratives of the Bulsa people in cultural music and dance performances of their victory over Babatu, a Slave Raider, and his warriors. Through the analysis of ethnographic data and archival material, this article argues that the Bulsa War dance performed in peacetime in present-day Bulsaland is a significant historical phenomenon utilized for purposes of entertainment, cultural identity, strengthening of bonds of unity among the people, and community development. This paper makes a significant contribution to our understanding of war dances within the framework of festivals and how they could be employed as a means of denouncing war and conflict and promoting peace, socialization, and societal development. The article concludes that Leelik remains a way of life celebrating the past and reinforcing the spirit of unity and belonging among the Bulsa. However, its continuing existence depends on the relentless effort of chiefs, elders, and family heads to socialize the youth and resocialise older folks about the significance of celebrating Leelik annually.

Authors

Publication Details

Journal
Legon Journal of the Humanities
Published
2025-07-04
DOI
https://doi.org/10.4314/ljh.v36i1.5
Primary Topic
African history and culture analysis
Type
article
Field-Weighted Citation Impact
0.00
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article

Celebrating the past in peacetime: The Leelik War dance of the Bulsa of Northern Ghana

Joshua Awienagua Gariba, Candida Anninyuamlie Apeck
Legon Journal of the Humanities
African history and culture analysis
article

Celebrating the past in peacetime: The Leelik War dance of the Bulsa of Northern Ghana

Joshua Awienagua Gariba, Candida Anninyuamlie Apeck
article en

Abstract

This article is a historical narrative analyzing the annual Leelik, a war dance of the Bulsa in the northern parts of Ghana in the context of the Feok festival. Leelik expresses the warfare narratives of the Bulsa people in cultural music and dance performances of their victory over Babatu, a Slave Raider, and his warriors. Through the analysis of ethnographic data and archival material, this article argues that the Bulsa War dance performed in peacetime in present-day Bulsaland is a significant historical phenomenon utilized for purposes of entertainment, cultural identity, strengthening of bonds of unity among the people, and community development. This paper makes a significant contribution to our understanding of war dances within the framework of festivals and how they could be employed as a means of denouncing war and conflict and promoting peace, socialization, and societal development. The article concludes that Leelik remains a way of life celebrating the past and reinforcing the spirit of unity and belonging among the Bulsa. However, its continuing existence depends on the relentless effort of chiefs, elders, and family heads to socialize the youth and resocialise older folks about the significance of celebrating Leelik annually.

Legon Journal of the HumanitiesVol. 36(1)
Openalex Percentile: Top 72%
African history and culture analysis
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Celebrating the past in peacetime: The Leelik War dance of the Bulsa of Northern Ghana — Joshua Awienagua Gariba, Candida Anninyuamlie Apeck · Legon Journal of the Humanities (2025) | TGRS Research Map | TGRS