Imagining Childhood in Colonial Bengal: Children’s Periodicals, Readership, and Vernacular Publishing, ca. 1880–1920

Abstract: This paper investigates the sociocultural implications of a relatively understudied print medium in late nineteenth- and early twentieth-century Bengali literary culture, the children’s periodical. Through a study of Pramadacharan Sen’s Sakhā , Sivanath Sastri’s Mukul , and Upendrakishor Raychaudhuri’s Sandeś , this paper explores how the emergence of these vernacular periodicals was interlinked with the construction of a literary selfhood among the Bengali middle classes and their understanding of childhood and children’s literature from the 1870s onwards. Using Robert Darnton’s circulation model of print culture in a colonial context, it also traces the material basis of these children’s periodicals, the technologies of their production, and their diffusion, transformation, and commercial survival within a larger colonial print market until the 1920s.

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Publication Details

Journal
Victorian periodicals review
Published
2025-03-01
DOI
https://doi.org/10.1353/vpr.2025.a969184
Primary Topic
Postcolonial and Cultural Literary Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Imagining Childhood in Colonial Bengal: Children’s Periodicals, Readership, and Vernacular Publishing, ca. 1880–1920

Nilkantha Pal
Victorian periodicals review
Postcolonial and Cultural Literary Studies
article

Imagining Childhood in Colonial Bengal: Children’s Periodicals, Readership, and Vernacular Publishing, ca. 1880–1920

Nilkantha Pal
article en

Abstract

Abstract: This paper investigates the sociocultural implications of a relatively understudied print medium in late nineteenth- and early twentieth-century Bengali literary culture, the children’s periodical. Through a study of Pramadacharan Sen’s Sakhā , Sivanath Sastri’s Mukul , and Upendrakishor Raychaudhuri’s Sandeś , this paper explores how the emergence of these vernacular periodicals was interlinked with the construction of a literary selfhood among the Bengali middle classes and their understanding of childhood and children’s literature from the 1870s onwards. Using Robert Darnton’s circulation model of print culture in a colonial context, it also traces the material basis of these children’s periodicals, the technologies of their production, and their diffusion, transformation, and commercial survival within a larger colonial print market until the 1920s.

Victorian periodicals reviewVol. 58(1)
Openalex Percentile: Top 76%
Postcolonial and Cultural Literary Studies
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