Depiction of Kashmiri Identity in Diaspora Works

Abstract: Suitcases Packed with memories, languages stitched into accents, recipes whispered across generations - this is the living archive of diaspora. This article provides an extensive and affirmative examination of Kashmiri identity within diasporic literature, focusing on memory as a mechanism for cultural preservation in Rahul Pandita’s “Our Moon Has Blood Clots” (2013), the intricate interplay of moral complexity and identity negotiation in Mirza Waheed’s “The Collaborator” (2011), and the dynamics of identity, hybridity, and belonging in Siddhartha Gigoo’s “The Garden of Solitude” (2011) as critically analyzed by Saikat Ghosh. It integrates the salad bowl metaphor, representing cultural coexistence, and diaspora consciousness, embodying an enduring connection to the homeland. This study celebrates the resilience, cultural pride, and communal strength embedded in these narratives, offering a detailed and accessible analysis that reflects the transformative power of Kashmiri diasporic literature.

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Publication Details

Journal
International Journal of Latest Technology in Engineering Management & Applied Science
Published
2025-09-04
DOI
https://doi.org/10.51583/ijltemas.2025.1408000053
Primary Topic
South Asian Studies and Conflicts
Type
article
Field-Weighted Citation Impact
0.00
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article

Depiction of Kashmiri Identity in Diaspora Works

Aabirou Jahan
International Journal of Latest Technology in Engineering Management & Applied Science
South Asian Studies and Conflicts
article

Depiction of Kashmiri Identity in Diaspora Works

Aabirou Jahan
article en

Abstract

Abstract: Suitcases Packed with memories, languages stitched into accents, recipes whispered across generations - this is the living archive of diaspora. This article provides an extensive and affirmative examination of Kashmiri identity within diasporic literature, focusing on memory as a mechanism for cultural preservation in Rahul Pandita’s “Our Moon Has Blood Clots” (2013), the intricate interplay of moral complexity and identity negotiation in Mirza Waheed’s “The Collaborator” (2011), and the dynamics of identity, hybridity, and belonging in Siddhartha Gigoo’s “The Garden of Solitude” (2011) as critically analyzed by Saikat Ghosh. It integrates the salad bowl metaphor, representing cultural coexistence, and diaspora consciousness, embodying an enduring connection to the homeland. This study celebrates the resilience, cultural pride, and communal strength embedded in these narratives, offering a detailed and accessible analysis that reflects the transformative power of Kashmiri diasporic literature.

International Journal of Latest Technology in Engineering Management & Applied ScienceVol. 14(8)
Central University of Kashmir (IN)
Openalex Percentile: Top 72%
South Asian Studies and Conflicts
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