Brain's geometries for movements and beauty judgments. A contribution of topos geometries

We present a theory on the neural basis of aesthetic experience, and judgment of beauty. It is based on both empirical facts concerning brain mechanisms and theoretical mathematical theories. We first recall previous evidence that the brain uses several non-Euclidian geometries for perception and action at different scales of space (personal, peri-personal, near locomotor, environmental, imaginative). This is supported by neuroscience data (brain imaging, neuropsychology, movement control, etc.). For example, the movement of drawing obeys specific kinematic rules, that reflect the control by Euclidian and affine geometries. We already formulated the corresponding geometries in brain's networks by using Topos and Stacks theory of the mathematician Alexander Grothendieck. The present article extends the previous proposals by suggesting that a meta-geometry provides the binding between these specialized geometries, by using known higher structures and dynamics (like n-Topos and n-Stacks) for joint perceptions and movements, and other modalities, as concepts, memories or emotions, at different spatial scales domains. We suggest that a form, an object, a movement, an environment, an event, an idea, is perceived as beautiful if the data provided by the senses and programs are embedded in these higher geometries, providing a sort of dynamic recognition, through relations of generalized proportions.

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Publication Details

Journal
Frontiers in Psychology
Published
2025-09-04
DOI
https://doi.org/10.3389/fpsyg.2025.1583185
Primary Topic
Aesthetic Perception and Analysis
Type
article
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article

Brain's geometries for movements and beauty judgments. A contribution of topos geometries

Daniel Bennequin, Alain Berthoz
Frontiers in Psychology
Aesthetic Perception and Analysis
article

Brain's geometries for movements and beauty judgments. A contribution of topos geometries

Daniel Bennequin, Alain Berthoz
article en

Abstract

We present a theory on the neural basis of aesthetic experience, and judgment of beauty. It is based on both empirical facts concerning brain mechanisms and theoretical mathematical theories. We first recall previous evidence that the brain uses several non-Euclidian geometries for perception and action at different scales of space (personal, peri-personal, near locomotor, environmental, imaginative). This is supported by neuroscience data (brain imaging, neuropsychology, movement control, etc.). For example, the movement of drawing obeys specific kinematic rules, that reflect the control by Euclidian and affine geometries. We already formulated the corresponding geometries in brain's networks by using Topos and Stacks theory of the mathematician Alexander Grothendieck. The present article extends the previous proposals by suggesting that a meta-geometry provides the binding between these specialized geometries, by using known higher structures and dynamics (like n-Topos and n-Stacks) for joint perceptions and movements, and other modalities, as concepts, memories or emotions, at different spatial scales domains. We suggest that a form, an object, a movement, an environment, an event, an idea, is perceived as beautiful if the data provided by the senses and programs are embedded in these higher geometries, providing a sort of dynamic recognition, through relations of generalized proportions.

Frontiers in PsychologyVol. 16
Collège de France (FR), Université Paris Cité (FR), Sorbonne Université (FR), Sorbonne Paris Cité (FR)
Openalex Percentile: Top 77%
Aesthetic Perception and Analysis
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Brain's geometries for movements and beauty judgments. A contribution of topos geometries — Daniel Bennequin, Alain Berthoz · Frontiers in Psychology (2025) | TGRS Research Map | TGRS