Deciphering Photographic Papers: Material Insights into 20th-Century Ilford and Kodak Sample Books

Fiber-based black-and-white developing-out papers (DOPs) were among the most widely used photographic supports of the 20th century. Their broad use, structural complexity, and range of surface finishes, alongside evolving manufacturing practices, underscore the importance of understanding their material composition for authentication, dating, and conservation purposes. This study presents a multi-analytical characterization of three DOP sample sets: two from Ilford (ca. 1950) and one from Kodak (1972), complementing previous research with a deeper insight into general features, stratigraphy, and composition. Initial non-sampling techniques, including thickness measurements, colorimetry, optical microscopy, and UV–visible induced fluorescence, were used to classify papers into visually and physically distinct groups. This informed a targeted sampling strategy for further stratigraphic and compositional analysis using Scanning Electron Microscopy with Energy Dispersive X-ray Spectroscopy (SEM-EDS), X-ray fluorescence (XRF), Raman spectroscopy, and fiber/pulp identification tests. Significant differences were observed in base tint, surface gloss, optical brightening agents, fillers, and fiber content. Notable findings include the presence of iron (III) oxide–hydroxide pigment in Ilford cream papers, anatase titanium dioxide (TiO2) in a baryta-less Ilford sample, and the shift to more uniform tones and mixed pulps in Kodak papers by the 1970s. These results offer valuable insights into historical manufacturing and support improved dating and characterization of photographic papers.

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Publication Details

Journal
Heritage
Published
2025-09-04
DOI
https://doi.org/10.3390/heritage8090361
Primary Topic
Photography and Visual Culture
Type
article
Field-Weighted Citation Impact
0.00

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article

Deciphering Photographic Papers: Material Insights into 20th-Century Ilford and Kodak Sample Books

Sílvia Sequeira, Élia Roldão, Susana França de Sá, Laura-Cassandra Vălean
Heritage
Photography and Visual Culture
article

Deciphering Photographic Papers: Material Insights into 20th-Century Ilford and Kodak Sample Books

Sílvia Sequeira, Élia Roldão, Susana França de Sá, Laura-Cassandra Vălean
article en

Abstract

Fiber-based black-and-white developing-out papers (DOPs) were among the most widely used photographic supports of the 20th century. Their broad use, structural complexity, and range of surface finishes, alongside evolving manufacturing practices, underscore the importance of understanding their material composition for authentication, dating, and conservation purposes. This study presents a multi-analytical characterization of three DOP sample sets: two from Ilford (ca. 1950) and one from Kodak (1972), complementing previous research with a deeper insight into general features, stratigraphy, and composition. Initial non-sampling techniques, including thickness measurements, colorimetry, optical microscopy, and UV–visible induced fluorescence, were used to classify papers into visually and physically distinct groups. This informed a targeted sampling strategy for further stratigraphic and compositional analysis using Scanning Electron Microscopy with Energy Dispersive X-ray Spectroscopy (SEM-EDS), X-ray fluorescence (XRF), Raman spectroscopy, and fiber/pulp identification tests. Significant differences were observed in base tint, surface gloss, optical brightening agents, fillers, and fiber content. Notable findings include the presence of iron (III) oxide–hydroxide pigment in Ilford cream papers, anatase titanium dioxide (TiO2) in a baryta-less Ilford sample, and the shift to more uniform tones and mixed pulps in Kodak papers by the 1970s. These results offer valuable insights into historical manufacturing and support improved dating and characterization of photographic papers.

HeritageVol. 8(9)
Águas de Portugal (Portugal) (PT), Universidade Nova de Lisboa (PT)
Laboratório Associado para a Química Verde
Openalex Percentile: Top 80%
Photography and Visual Culture
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