Addressing Gender-Based Violence through Music – A Study of the Gospel Song ‘Isandla’ by Rebecca Malope

Released in 2005 by renowned South African gospel singer, the song ‘Isandla’ by Rebecca Malope remains relevant as GBV continues to persist in South Africa. Malope uses the metaphorical expression of hand ‘Isandla’ to illustrate its dual capacity for performing virtuous and harmful actions. The song highlights the positive deeds carried out by the hand before exposing its role in committing violent acts such as hitting, rape, and murder. In ‘Isandla,’ Malope calls for collective action to combat these issues. This paper, in light of this background, examined the gospel song ‘Isandla’ by Malope, focusing on its role in addressing and responding to gender-based violence (GBV). This paper emphasized the urgent need for national solidarity and critical examination of the problem. Malope’s plea for intervention reflects believers’ need for strengthened prayers. A qualitative research approach was adopted, with the analysis centring on the song. Data was collected through the examination of the song, journal articles, online newspapers, and books. The findings suggest that music has been instrumental in addressing societal issues, indicating that artists can significantly contribute to combating GBV. Support for artists on social media and live performances highlights the appreciation of music by the public. Therefore, the researchers recommend that if more artists use their music to tackle GBV, it could make a significant difference. Additionally, other creative media like poetry and television narratives should also focus on GBV to increase awareness and inspire change. Keywords: Music, Isandla, Rebecca Malope, Domestic violence, Gender-abuse violence.