Out of the cave: Rewilding deep time at the Venice Biennale

<i>Out of the Cave</i>, part of the 2025 Venice Architecture Biennale, reimagines prehistoric human life through scientifically grounded paleoart. This visual installation bridges deep-time knowledge with contemporary ecological and ethical issues. By integrating paleoecological data, biodiversity representation, and dietary insight, the project invites reflection on sustainability and modernity. This Backstory outlines the scientific and conceptual foundations of the artwork, offering a model for transdisciplinary practice at the intersection of biology, anthropology, and spatial design.

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Publication Details

Journal
iScience
Published
2025-09-01
DOI
https://doi.org/10.1016/j.isci.2025.113392
Citations
1
Primary Topic
Aesthetic Perception and Analysis
Type
article
Field-Weighted Citation Impact
1.43
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article

Out of the cave: Rewilding deep time at the Venice Biennale

Federica Crivellaro, José S. Carrión, Gabriela Amorós, Ana B. Marín‐Arroyo
1 citations
iScience
Aesthetic Perception and Analysis
1.43
article

Out of the cave: Rewilding deep time at the Venice Biennale

Federica Crivellaro, José S. Carrión, Gabriela Amorós, Ana B. Marín‐Arroyo
article en
1 citations

Abstract

<i>Out of the Cave</i>, part of the 2025 Venice Architecture Biennale, reimagines prehistoric human life through scientifically grounded paleoart. This visual installation bridges deep-time knowledge with contemporary ecological and ethical issues. By integrating paleoecological data, biodiversity representation, and dietary insight, the project invites reflection on sustainability and modernity. This Backstory outlines the scientific and conceptual foundations of the artwork, offering a model for transdisciplinary practice at the intersection of biology, anthropology, and spatial design.

iScienceVol. 28(9)
Universidad de Murcia (ES)
Openalex Percentile: Top 16%
Aesthetic Perception and Analysis
1.43
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