Repetition in The Right Path

Repetition is a common and significant feature in the Theatre of the Absurd, as it serves as a form of theatrical expression. Martin Esslin initially utilised this technique in 1968 to signify nonsensical speech, a type of communication between individuals.. This important characteristic is now frequently used to identify any perceived ridiculous play that has language that could mislead many people about the issues raised. From a different perspective, a similar strategy was used in local theatre, which led to the popularity of Absurd Theatre in modern Malay drama from the 1970s to the 1980s. This paper intends to focus on Mana Sikanan’s method of repetition as one of the significant techniques of Theatre of the Absurd in his works. The focus of the study is on Mana Sikana’s play, The Right Path, a translated version of the actual play, Mustaqima, from 1992, during the era of Experimental Theatre. It examines the method in ways that are relevant to local political and social developments of its time. Through his experiments, he gained insight into an individual who is struggling to define himself amid Malaysia's new, reorganised society. This study's implications will highlight its significance in the evolution and history of experimental theatre in modern Malay theatre.