Rebels without a pause (but with a cause): Exploring self-governance and engaged behavior in hip-hop and alternative performing arts in Northern Europe

This research examines how community-based artistic organizations navigate social and political tensions in urban settings, bridging hip-hop studies to political economy studies on self-governance. Artists and cultural organizations engage with these tensions through political protest, fostering public participation, and representing marginalized groups. For genres like hip-hop, social and political tensions are inherent, making it particularly interesting to study their institutionalization. A multiple case study was conducted on four organizations: Hiphophuis, WORM, Rapolitics, and Soul Sessions Oslo, based in the Netherlands, Denmark, and Norway. These organizations use alternative performing arts to engage with social and political issues through self-governance. Data from 13 semi-structured interviews with key individuals provided in-depth insights, analyzed thematically to reveal two themes: "Social and Political Engagement Through Self-Governance: 'By Us, For Us'” and "Creating Space for a Socially and Politically Engaged Community". The findings highlight that these organizations are “rebels without a pause but with a cause”: self-governance and engaged behavior enable alternative performing arts organizations to interact with diverse marginalized groups through cultural expressions often overlooked by institutionalized cultural entities. This community-based approach also facilitates engagement with local communities on broader issues. • Explores the interaction of community-based artistic organizations with urban social and political tensions. • Analyzes the unique role of alternative performing arts, particularly hip-hop, in the city. • Utilizes a multiple case study approach involving organizations from the Netherlands, Denmark, and Norway. • Identifies self-governance as a key factor in the effective social and political engagement of CBOs. • Reveals that CBOs facilitate community involvement in broader societal issues.

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Publication Details

Journal
City Culture and Society
Published
2025-09-01
DOI
https://doi.org/10.1016/j.ccs.2025.100655
Primary Topic
Music History and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

Rebels without a pause (but with a cause): Exploring self-governance and engaged behavior in hip-hop and alternative performing arts in Northern Europe

Valeria Morea, Emilie Schei
City Culture and Society
Music History and Culture
article

Rebels without a pause (but with a cause): Exploring self-governance and engaged behavior in hip-hop and alternative performing arts in Northern Europe

Valeria Morea, Emilie Schei
article en

Abstract

This research examines how community-based artistic organizations navigate social and political tensions in urban settings, bridging hip-hop studies to political economy studies on self-governance. Artists and cultural organizations engage with these tensions through political protest, fostering public participation, and representing marginalized groups. For genres like hip-hop, social and political tensions are inherent, making it particularly interesting to study their institutionalization. A multiple case study was conducted on four organizations: Hiphophuis, WORM, Rapolitics, and Soul Sessions Oslo, based in the Netherlands, Denmark, and Norway. These organizations use alternative performing arts to engage with social and political issues through self-governance. Data from 13 semi-structured interviews with key individuals provided in-depth insights, analyzed thematically to reveal two themes: "Social and Political Engagement Through Self-Governance: 'By Us, For Us'” and "Creating Space for a Socially and Politically Engaged Community". The findings highlight that these organizations are “rebels without a pause but with a cause”: self-governance and engaged behavior enable alternative performing arts organizations to interact with diverse marginalized groups through cultural expressions often overlooked by institutionalized cultural entities. This community-based approach also facilitates engagement with local communities on broader issues. • Explores the interaction of community-based artistic organizations with urban social and political tensions. • Analyzes the unique role of alternative performing arts, particularly hip-hop, in the city. • Utilizes a multiple case study approach involving organizations from the Netherlands, Denmark, and Norway. • Identifies self-governance as a key factor in the effective social and political engagement of CBOs. • Reveals that CBOs facilitate community involvement in broader societal issues.

City Culture and SocietyVol. 43
Smerteklinikken (NO), Erasmus University Rotterdam (NL)
Openalex Percentile: Top 76%
Music History and Culture
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