Tuju: Arketipe’s impression of Pakasiah In Music Composition “Jerat”

Pakasiah is one of the mystical phenomena found in the Koto Nan Gadang area, Payakumbuh City. Pakasiah is performed to subdue or conquer a spouse, done by a wife towards her husband. The event of Pakasiah is portrayed in a music composition titled 'Jerat' which is developed using a Psychoanalytic approach, where aspects found in the perpetrators involved in the Pakasiah event are concluded, namely the desire and purpose behind performing Pakasiah. This desire is rooted in the human subconscious, like fears, desires, and so on that are embedded within oneself, referred to as shadow’s archetypes. These aspects are then analogized to musical elements that have relevance to works with extra-musical ideas. This music composition is developed through stages including exploration, material identification, and application with an Impressionist musical style approach. Overall, the work Jerat has the structure with the name Tuju, which embodies the archetypal aspect of the performer Pakasiah then developed into a musical composition in ensemble format.

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Publication Details

Journal
MELAYU ARTS AND PERFORMANCE JOURNAL
Published
2025-06-30
DOI
https://doi.org/10.26887/mapj.v8i1.4177
Primary Topic
Diverse Musicological Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Tuju: Arketipe’s impression of Pakasiah In Music Composition “Jerat”

Aluna Aluna
MELAYU ARTS AND PERFORMANCE JOURNAL
Diverse Musicological Studies
article

Tuju: Arketipe’s impression of Pakasiah In Music Composition “Jerat”

Aluna Aluna
article en

Abstract

Pakasiah is one of the mystical phenomena found in the Koto Nan Gadang area, Payakumbuh City. Pakasiah is performed to subdue or conquer a spouse, done by a wife towards her husband. The event of Pakasiah is portrayed in a music composition titled 'Jerat' which is developed using a Psychoanalytic approach, where aspects found in the perpetrators involved in the Pakasiah event are concluded, namely the desire and purpose behind performing Pakasiah. This desire is rooted in the human subconscious, like fears, desires, and so on that are embedded within oneself, referred to as shadow’s archetypes. These aspects are then analogized to musical elements that have relevance to works with extra-musical ideas. This music composition is developed through stages including exploration, material identification, and application with an Impressionist musical style approach. Overall, the work Jerat has the structure with the name Tuju, which embodies the archetypal aspect of the performer Pakasiah then developed into a musical composition in ensemble format.

MELAYU ARTS AND PERFORMANCE JOURNALVol. 8(1)
Openalex Percentile: Top 76%
Diverse Musicological Studies
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