Leveraging Cattell’s Data Types to Understand Creativity From Different Research Traditions

Understanding creativity remains a challenge due to the variety of measurement approaches. This study applies Cattell’s framework of T-, L-, and Q-Data to investigate whether different data-types to measure creativity converge into a unified general factor. We used a sample of 320 adults that completed tests assessing originality (T-Data), self-reported ideations (Q-Data), and everyday creative activities as well as achievements (L-Data). Confirmatory factor analyses—including models accounting for zero-inflation in creative achievement data—was employed. Results revealed that the three data types were intercorrelated, but could not be modeled below an overarching general factor. Creative achievement were predicted by L-Data, somewhat weaker by T-Data, and were unrelated with Q-Data. The findings support the distinctiveness of measurement approaches to creativity. The results caution against overreliance on a singular assessment approach, most strongly so for Q-data for predicting real-world outcomes. We discuss persistent terminological and conceptual challenges in creativity measurement.

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Publication Details

Published
2025-08-31
DOI
https://doi.org/10.31234/osf.io/hxbwz_v1
Primary Topic
Creativity in Education and Neuroscience
Type
article
Field-Weighted Citation Impact
0.00

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article

Leveraging Cattell’s Data Types to Understand Creativity From Different Research Traditions

Selina Weiss, Benjamin Goecke, Oliver Wilhelm
Creativity in Education and Neuroscience
article

Leveraging Cattell’s Data Types to Understand Creativity From Different Research Traditions

Selina Weiss, Benjamin Goecke, Oliver Wilhelm
article en

Abstract

Understanding creativity remains a challenge due to the variety of measurement approaches. This study applies Cattell’s framework of T-, L-, and Q-Data to investigate whether different data-types to measure creativity converge into a unified general factor. We used a sample of 320 adults that completed tests assessing originality (T-Data), self-reported ideations (Q-Data), and everyday creative activities as well as achievements (L-Data). Confirmatory factor analyses—including models accounting for zero-inflation in creative achievement data—was employed. Results revealed that the three data types were intercorrelated, but could not be modeled below an overarching general factor. Creative achievement were predicted by L-Data, somewhat weaker by T-Data, and were unrelated with Q-Data. The findings support the distinctiveness of measurement approaches to creativity. The results caution against overreliance on a singular assessment approach, most strongly so for Q-data for predicting real-world outcomes. We discuss persistent terminological and conceptual challenges in creativity measurement.

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Creativity in Education and Neuroscience
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