A Critique of Animal Science Knowledge Production in <i>We are All Completely Beside Ourselves</i><i></i>

Animals who can not independently voice their own conditions are put into a representational strategy dominated by human scientists. However, situated in anthropocentric ideologies, the scientists are usually not faithful narrators of animal stories, but ventriloquists for the animal’s other status. As a novel exploring an experiment in which a human and a chimpanzee are raised up together, We are All Completely Beside Ourselves puts this situated process of animal science knowledge production under scrutiny: Conducted against the anthropocentric background, the experiment inevitably shows a tendency to emphasize the human-animal binary opposition and the animals’ other status in the world. Disappointed by this phenomenon, the human girl who has grown up with a chimpanzee and believes in human-animal affinity, Rosemary, chooses to reject the logocentrism and human-animal distinctions propagated by scientists, and to disseminate her own knowledge of human-animal similarity, love and mutual-respect. However, since Rosemary’s experience can not be reproduced in the reality, the novel’s nihilist tendency to deny all the scientific achievements is dangerous. The scientist’s role as a spokesman for animals and nature is still irreplaceable in reality, and a compromise should be reached between the dogmatic scientism criticized and the radical disbeliever to science advocated by the novel.

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Publication Details

Journal
Journal of Humanities and Arts Perspectives
Published
2025-08-30
DOI
https://doi.org/10.70731/h72kgv46
Primary Topic
Geographies of human-animal interactions
Type
article
Field-Weighted Citation Impact
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article

A Critique of Animal Science Knowledge Production in We are All Completely Beside Ourselves

Yuan Tian
Journal of Humanities and Arts Perspectives
Geographies of human-animal interactions
article

A Critique of Animal Science Knowledge Production in We are All Completely Beside Ourselves

Yuan Tian
article en

Abstract

Animals who can not independently voice their own conditions are put into a representational strategy dominated by human scientists. However, situated in anthropocentric ideologies, the scientists are usually not faithful narrators of animal stories, but ventriloquists for the animal’s other status. As a novel exploring an experiment in which a human and a chimpanzee are raised up together, We are All Completely Beside Ourselves puts this situated process of animal science knowledge production under scrutiny: Conducted against the anthropocentric background, the experiment inevitably shows a tendency to emphasize the human-animal binary opposition and the animals’ other status in the world. Disappointed by this phenomenon, the human girl who has grown up with a chimpanzee and believes in human-animal affinity, Rosemary, chooses to reject the logocentrism and human-animal distinctions propagated by scientists, and to disseminate her own knowledge of human-animal similarity, love and mutual-respect. However, since Rosemary’s experience can not be reproduced in the reality, the novel’s nihilist tendency to deny all the scientific achievements is dangerous. The scientist’s role as a spokesman for animals and nature is still irreplaceable in reality, and a compromise should be reached between the dogmatic scientism criticized and the radical disbeliever to science advocated by the novel.

Journal of Humanities and Arts PerspectivesVol. 1(2)
Minzu University of China (CN)
Openalex Percentile: Top 72%
Geographies of human-animal interactions
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A Critique of Animal Science Knowledge Production in <i>We are All Completely Beside Ourselves</i><i></i> — Yuan Tian · Journal of Humanities and Arts Perspectives (2025) | TGRS Research Map | TGRS