Karya Musik Dialog Sonic: Kolaborasi Saxophone, Gitar, Kecapi, Dan Tabla

This artistic practice-based research aims to create a collaborative musical work as a sonic dialogue between Western and Eastern music. The instruments utilized include saxophone and guitar, representing Western idioms, and kacapi (Sundanese) and tabla (Indian), representing Eastern traditions. The creation process involved three main stages: idiom exploration, improvisational experimentation, and final composition arrangement. The findings demonstrate the feasibility of integrating rhythmic structures (tala) and traditional melodic patterns (pelog/salendro) with modern jazz harmony and improvisation. The collaborative process fostered active dialogue among musicians from diverse cultural backgrounds, inherently cultivating cross-traditional understanding. Analysis of the work confirms that idiomatic synthesis is achievable without compromising each instrument's musical identity, provided there is aesthetic, technical, and cultural awareness throughout the creation stages. This work not only yields new musical forms but also underscores the significance of an intercultural approach in contemporary art. Furthermore, the creative process serves as a reflective vehicle for re-evaluating the relationship between individual expression, cultural identity, and the potential for equality in cross-traditional collaboration

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Publication Details

Journal
Jurnal Ilmu Sosial Humaniora dan Seni
Published
2025-08-16
DOI
https://doi.org/10.62379/jishs.v4i1.3531
Primary Topic
Cultural and Artistic Studies
Type
article
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article

Karya Musik Dialog Sonic: Kolaborasi Saxophone, Gitar, Kecapi, Dan Tabla

Raden Irfansyah Ramadan
Jurnal Ilmu Sosial Humaniora dan Seni
Cultural and Artistic Studies
article

Karya Musik Dialog Sonic: Kolaborasi Saxophone, Gitar, Kecapi, Dan Tabla

Raden Irfansyah Ramadan
article en

Abstract

This artistic practice-based research aims to create a collaborative musical work as a sonic dialogue between Western and Eastern music. The instruments utilized include saxophone and guitar, representing Western idioms, and kacapi (Sundanese) and tabla (Indian), representing Eastern traditions. The creation process involved three main stages: idiom exploration, improvisational experimentation, and final composition arrangement. The findings demonstrate the feasibility of integrating rhythmic structures (tala) and traditional melodic patterns (pelog/salendro) with modern jazz harmony and improvisation. The collaborative process fostered active dialogue among musicians from diverse cultural backgrounds, inherently cultivating cross-traditional understanding. Analysis of the work confirms that idiomatic synthesis is achievable without compromising each instrument's musical identity, provided there is aesthetic, technical, and cultural awareness throughout the creation stages. This work not only yields new musical forms but also underscores the significance of an intercultural approach in contemporary art. Furthermore, the creative process serves as a reflective vehicle for re-evaluating the relationship between individual expression, cultural identity, and the potential for equality in cross-traditional collaboration

Jurnal Ilmu Sosial Humaniora dan SeniVol. 4(1)
Universitas Muhammadiyah Malang (ID)
Openalex Percentile: Top 73%
Cultural and Artistic Studies
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Karya Musik Dialog Sonic: Kolaborasi Saxophone, Gitar, Kecapi, Dan Tabla — Raden Irfansyah Ramadan · Jurnal Ilmu Sosial Humaniora dan Seni (2025) | TGRS Research Map | TGRS