TRADITIONAL AND NEW APPROACHES TO STAGE INTERPRETATIONS OF CLASSIC POEMS IN THE MODERN UZBEK THEATER

The article examines traditional and new approaches to the stage interpretation of the epics of Alisher Navoi, an outstanding representative of Uzbek classical literature, thinker and poet. In this regard, the plays staged based on the poet’s epics “The Wall of Iskander” and “Leyli and Medjnu