Locality characteristics of the doyra usuls(rythms) of Shashmaqom, Khorezm maqoms, and Fergana-Tashkent maqoms

Annotatsiya: The article provides brief conclusions on the mutual analysis of the systems of circle methods in the performance practice of Shashmaqom, Khorezm maqoms, and Fergana-Tashkent maqoms. Research in this area reveals that the roots of oriental classical music, including the Uzbek maqom, have one core, one s