Synergy of verbal and photographic discourses in the poetry of Lev Rubinstein

The aim of the research is to theoretically comprehend the synergistic potential of interdiscursivity, using the interaction of verbal and photographic discourses in postmodernist poetry as an example. The scientific novelty of the work lies in revealing that, when verbal and photographic codes interact in a poetic text, a hybrid discourse emerges, generating new levels of meaning. The article analyzes a cycle of poems by Lev Rubinstein, in which photographic discourse has a profound impact on the poetics, subjectivity, and semantics of the text. The integration of photographic and verbal discourses in the structure of the lyrical text contributes to the formation of a synergistic space of meanings, in which the interaction of various semiotic codes – linguistic, visual, documentary – forms a multilayered perception of poetic reality. The idea is developed that the convergence of different discourses in a work, in particular verbal and photographic, destabilizes traditional poetic categories – time, authorship, memory – and generates a special type of "lyrical photo-image," creating new modes of representation and perception of the work. As a result of the research, it is proven that interdiscursivity, being a marker of the synergistic nature of a poetic text, contributes to the formation of an energetically saturated, dynamic hypertext space of the poem. Analysis of such texts, arising at the intersection of different aesthetic codes and sign systems, requires taking into account their hybrid nature and ability to self-organization.