Protestant Martyrs in Three Best-Selling English Ballads, c. 1540–1710

This article examines three highly successful English broadside-ballads about Protestant martyrs of the mid-sixteenth century and seeks to explain their evident popularity. It argues that ballads were very important in encouraging people to think about martyrs and identify as Protestants, and that the highlighted examples have been either overlooked or underestimated by scholars. The songs also shed new light on commonplace religious tastes and preoccupations, revealing an apparent preference for female martyrs and an apparent distaste for gruesome detail. In both respects, the ballads are contrasted with John Foxe’s much more famous ‘Book of martyrs’.