(Wl-679)-Voluntary Silence and Involuntary Fear

The recent controversy in Malayalam cinema surrounding the movie Empuraan presents a troubling picture of how political and communal power intersect with artistic expression. Following continued social media backlash primarily from right-wing and Hindutva-aligned groups, over the movie’s depiction of communal violence and characters similar to real-life political figures, the filmmakers voluntarily edited the scenes and issued a public apology, despite visible support from political leaders and the public. The article opines that this move signals the existing political atmosphere where fear controls everything, including the creative industry. It tries to argue that the Empuraan is not an isolated episode, but a fully grown form of a wider trend in contemporary India. It asks what this means for the future of Malayalam cinema and art in general, in questioning the power.

Authors

Publication Details

Journal
Economic and political weekly/Economic & political weekly
Published
2025-05-03
DOI
https://doi.org/10.71279/epw.v60i18.44038
Primary Topic
South Asian Cinema and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

(Wl-679)-Voluntary Silence and Involuntary Fear

P C Vipula
Economic and political weekly/Economic & political weekly
South Asian Cinema and Culture
article

(Wl-679)-Voluntary Silence and Involuntary Fear

P C Vipula
article en

Abstract

The recent controversy in Malayalam cinema surrounding the movie Empuraan presents a troubling picture of how political and communal power intersect with artistic expression. Following continued social media backlash primarily from right-wing and Hindutva-aligned groups, over the movie’s depiction of communal violence and characters similar to real-life political figures, the filmmakers voluntarily edited the scenes and issued a public apology, despite visible support from political leaders and the public. The article opines that this move signals the existing political atmosphere where fear controls everything, including the creative industry. It tries to argue that the Empuraan is not an isolated episode, but a fully grown form of a wider trend in contemporary India. It asks what this means for the future of Malayalam cinema and art in general, in questioning the power.

Economic and political weekly/Economic & political weeklyVol. 60(18)
Openalex Percentile: Top 79%
South Asian Cinema and Culture
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