Copyright and Cultural Preservation: Ensuring Effective Protection of Traditional African Music

This paper explores the complex relationship between American copyright law and indigenous African music by analyzing the historical roots, conflicts, and widespread consequences of such interplay. It examines how American copyright law has evolved alongside African musical traditions, emphasizing instances in which Western music has inadvertently infringed upon the cultural heritage of indigenous African melodies. The discussion extends beyond simple legal concerns to additionally attempt to pinpoint a subtle form of cultural appropriation that threatens moral rights. By offering an overview of key theoretical debates on this subject, along with a case study reflecting how African communities perceive these issues in comparison to Western academic perspectives, the goal is to provide a deeper understanding of both the cultural and ethical dimensions of legal norms governing musical traditions and folklore. Additionally, this paper seeks to probe the effects and implications of applying Western standards to non-Western cultural works and considers possible approaches for sensitively navigating these challenges.

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Publication Details

Journal
Journal of Student Research
Published
2024-08-31
DOI
https://doi.org/10.47611/jsrhs.v13i3.7338
Primary Topic
Diverse Musicological Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Copyright and Cultural Preservation: Ensuring Effective Protection of Traditional African Music

David D. Paige, R. J. Kim
Journal of Student Research
Diverse Musicological Studies
article

Copyright and Cultural Preservation: Ensuring Effective Protection of Traditional African Music

David D. Paige, R. J. Kim
article en

Abstract

This paper explores the complex relationship between American copyright law and indigenous African music by analyzing the historical roots, conflicts, and widespread consequences of such interplay. It examines how American copyright law has evolved alongside African musical traditions, emphasizing instances in which Western music has inadvertently infringed upon the cultural heritage of indigenous African melodies. The discussion extends beyond simple legal concerns to additionally attempt to pinpoint a subtle form of cultural appropriation that threatens moral rights. By offering an overview of key theoretical debates on this subject, along with a case study reflecting how African communities perceive these issues in comparison to Western academic perspectives, the goal is to provide a deeper understanding of both the cultural and ethical dimensions of legal norms governing musical traditions and folklore. Additionally, this paper seeks to probe the effects and implications of applying Western standards to non-Western cultural works and considers possible approaches for sensitively navigating these challenges.

Journal of Student ResearchVol. 13(3)
St. Johnsbury Athenaeum (US)
Openalex Percentile: Top 60%
Diverse Musicological Studies
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Copyright and Cultural Preservation: Ensuring Effective Protection of Traditional African Music — David D. Paige, R. J. Kim · Journal of Student Research (2024) | TGRS Research Map | TGRS