Small is beautiful!?: Investigating stickers and stickerscapes

This editorial introduces a Special Issue dedicated to the study of stickers as communicative artefacts within semiotic landscapes. Once limited mainly to commercial use, stickers have evolved into versatile tools for identity expression, political stance-taking, and grassroots activism. Despite their ubiquity in both urban and rural settings, stickers remain understudied in semiotic landscape research. The authors advocate for a more nuanced, multimodal, and linguistically informed approach to sticker analysis – one that considers their textual brevity, visual elements, emplacement, and discursive functions. Challenging conventional classifications of stickers as inherently urban or transgressive, the editorial proposes the term ‘self-authorized’ to describe signs emplaced without institutional sanction. The authors also reflect on methodological challenges and biases in current research practices, such as the neglect of ‘authorized’ stickers representing regulatory or infrastructural discourses – even though these can sometimes dominate a given sticker-scape. Accordingly, the authors encourage the development of comprehensive inventories and critical categorization. The Special Issue, comprising empirical studies from various geographic contexts, seeks to reposition stickers as legitimate and rich objects of interdisciplinary inquiry.

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Publication Details

Journal
Journal of Visual Political Communication
Published
2024-10-01
DOI
https://doi.org/10.1386/jvpc_00046_2
Citations
1
Primary Topic
Visual Culture and Art Theory
Type
article
Field-Weighted Citation Impact
6.49
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article

Small is beautiful!?: Investigating stickers and stickerscapes

Gertrud Reershemius, Evelyn Ziegler
1 citations
Journal of Visual Political Communication
Visual Culture and Art Theory
6.49
article

Small is beautiful!?: Investigating stickers and stickerscapes

Gertrud Reershemius, Evelyn Ziegler
article en
1 citations

Abstract

This editorial introduces a Special Issue dedicated to the study of stickers as communicative artefacts within semiotic landscapes. Once limited mainly to commercial use, stickers have evolved into versatile tools for identity expression, political stance-taking, and grassroots activism. Despite their ubiquity in both urban and rural settings, stickers remain understudied in semiotic landscape research. The authors advocate for a more nuanced, multimodal, and linguistically informed approach to sticker analysis – one that considers their textual brevity, visual elements, emplacement, and discursive functions. Challenging conventional classifications of stickers as inherently urban or transgressive, the editorial proposes the term ‘self-authorized’ to describe signs emplaced without institutional sanction. The authors also reflect on methodological challenges and biases in current research practices, such as the neglect of ‘authorized’ stickers representing regulatory or infrastructural discourses – even though these can sometimes dominate a given sticker-scape. Accordingly, the authors encourage the development of comprehensive inventories and critical categorization. The Special Issue, comprising empirical studies from various geographic contexts, seeks to reposition stickers as legitimate and rich objects of interdisciplinary inquiry.

Journal of Visual Political CommunicationVol. 11(2)
Aston University (GB), University of Duisburg-Essen (DE)
Openalex Percentile: Top 3%
Visual Culture and Art Theory
6.49
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