The Anthropocene and Settler Moves to Innocence in Lucy Ellmann’s Ducks, Newburyport

Abstract: Lucy Ellmann’s 2019 novel Ducks, Newburyport , which presents the internal monologue of an anxious mother of four, is a snapshot of American life in the Anthropocene, as the protagonist worries about her complicity in environmental degradation. The novel illustrates that the Anthropocene is a settler move to innocence that disguises both the role of settler colonialism in causing the climate crisis and the responsibility of settlers to work toward decolonization. It makes this critique through its attention to Indigenous history, the protagonist’s attitudes toward her family’s resource use, and her daughter Stacy’s Indigenous identity. Throughout the novel, interspersed with the protagonist’s monologue, is the story of another mother: a cougar who loses, searches for, and is eventually reunited with her kittens. The paralleling of these stories and Stacy’s identification with the cougar suggest that hope for the future lies in decolonization and the restoration of kinship ties with non-humans.

Authors

Publication Details

Journal
Studies in the novel
Published
2025-08-22
DOI
https://doi.org/10.1353/sdn.2025.a968612
Primary Topic
Ecocriticism and Environmental Literature
Type
article
Field-Weighted Citation Impact
0.00
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article

The Anthropocene and Settler Moves to Innocence in Lucy Ellmann’s Ducks, Newburyport

Tracy A. Stephens
Studies in the novel
Ecocriticism and Environmental Literature
article

The Anthropocene and Settler Moves to Innocence in Lucy Ellmann’s Ducks, Newburyport

Tracy A. Stephens
article en

Abstract

Abstract: Lucy Ellmann’s 2019 novel Ducks, Newburyport , which presents the internal monologue of an anxious mother of four, is a snapshot of American life in the Anthropocene, as the protagonist worries about her complicity in environmental degradation. The novel illustrates that the Anthropocene is a settler move to innocence that disguises both the role of settler colonialism in causing the climate crisis and the responsibility of settlers to work toward decolonization. It makes this critique through its attention to Indigenous history, the protagonist’s attitudes toward her family’s resource use, and her daughter Stacy’s Indigenous identity. Throughout the novel, interspersed with the protagonist’s monologue, is the story of another mother: a cougar who loses, searches for, and is eventually reunited with her kittens. The paralleling of these stories and Stacy’s identification with the cougar suggest that hope for the future lies in decolonization and the restoration of kinship ties with non-humans.

Studies in the novelVol. 57(3)
Openalex Percentile: Top 78%
Ecocriticism and Environmental Literature
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