Oscillating Modernism

In the second half of the 20th century, significant modern residential buildings were built in several Brazilian cities. However, regarding the middle-class examples, the layout of most of these apartments was very similar to the 19th-century bourgeois houses. Furthermore, despite using a reinforced concrete structure—always hidden—there was no greater spatial or visual integration. This collection of buildings, neglected by the real estate market in the 1980s, was rediscovered in the early 2000s by new buyers. The former owners gave way to people who admired the qualities of modern architecture, even though they knew they would probably face several difficulties arising from significant renovation. The most common adaptations made in the second occupation included modifying layouts and modernizing facilities and finishes. Besides, the internal spaces became more fluid and integrated than the original version, encouraging conviviality. The number of internal partitions decreased, as did the decorative elements and furniture. More recently, it was possible to recognize a third episode in this history. Due to the COVID-19 pandemic, when entire families were locked in their homes in a forced and unprecedented coexistence, there was a need for yet another adaptation process. This time, the actions aimed to recover private environments that better support life in confinement, where different non-domestic activities started to happen inside the homes. A process of ‘demodernization’ seems to have taken place, rehearsing a return to pre-modern layouts of compartmentalized spaces. Through the observation and analysis of the changes in three study cases in the city of São Paulo, this work aims to reflect more broadly on the transformations in the way of living in modern apartments. In addition to bibliographical research and analysis of the projects’ graphic material, this research included reports from residents and access to their personal files.