The Fearful Realism: Chinese Horror Indie Games and theRealist Horror

The aim of this paper is not to delineate a fully genealogical or prescriptive definition of the subgenre -"Chinese horror", but rather to show its potential to engage reality through the analysis and contextualization of typical games.The term "realist horror" in the title originates from Cynthia A. Freeland's discussion of the subgenre of horror movie that is based on real characters and events (Freeland 1995).I adapt this term to rethink the relationship between horror and realism.

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Publication Details

Published
2024-09-30
DOI
https://doi.org/10.26503/dl.v2024i2.2326
Primary Topic
Gothic Literature and Media Analysis
Type
article
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article

The Fearful Realism: Chinese Horror Indie Games and theRealist Horror

Haoxi Luo
Gothic Literature and Media Analysis
article

The Fearful Realism: Chinese Horror Indie Games and theRealist Horror

Haoxi Luo
article en

Abstract

The aim of this paper is not to delineate a fully genealogical or prescriptive definition of the subgenre -"Chinese horror", but rather to show its potential to engage reality through the analysis and contextualization of typical games.The term "realist horror" in the title originates from Cynthia A. Freeland's discussion of the subgenre of horror movie that is based on real characters and events (Freeland 1995).I adapt this term to rethink the relationship between horror and realism.

Chinese University of Hong Kong (HK)
Reduced inequalities
Openalex Percentile: Top 49%
Gothic Literature and Media Analysis
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The Fearful Realism: Chinese Horror Indie Games and theRealist Horror — Haoxi Luo · (2024) | TGRS Research Map | TGRS