Demystifying the Use of Compression in Virtual Production
Virtual Production (VP) technologies enhance on-set filming and live concerts through high-resolution, high-brightness LED panels. Due to technical challenges like synchronization and color balancing, the industry prefers resource-intensive lossless compression for displays. Modern lossy standards (AV1, H.265) could maintain quality while reducing resource demands, yet no agreed methodology exists for assessing their in-camera impact. We present a method comparing lossless and lossy compressed footage displayed through VP screens and recorded in-camera. Our assessment compares HAP/NotchLC/Daniel2 intermediate codecs with hardware Nvidia Encoders (NVENC) using AV1/HEVC/H.264 compression at bitrates from 2–2000 Mbit/s with various GOP sizes using different perceptual quality metrics. Results demonstrate hybrid codecs achieve equivalent quality to intermediate encoders at significantly lower bitrates and storage requirements.
Authors
- Vibhoothi Vibhoothi
- François Pitié (ORCID: https://orcid.org/0000-0003-4599-0549)
- Cody Z. Nash
- Anil Kokaram (ORCID: https://orcid.org/0000-0001-5304-6238)
- Julien Zouein
- James W. Bentley
- Philip Coulam-Jones
Publication Details
- Journal
- SMPTE Motion Imaging Journal
- Published
- 2025-05-15
- DOI
- https://doi.org/10.5594/jmi.2025/mjpy7062
- Citations
- 1
- Primary Topic
- Manufacturing Process and Optimization
- Type
- article
- Field-Weighted Citation Impact
- 1.24