From Song Dynasty to Modernity: The Morphological Evolution and Cultural Continuity of Ru Porcelain Yuhuchun Vases

The Yuhuchun vase form, originating in the Song Dynasty, is a notable exemplar of Chinese ceramic aesthetics and cultural identity.This study examines the morphological evolution and cultural continuity of Ru porcelain Yuhuchun vases from their classical forms to contemporary reinterpretations.Through visual analysis, typological comparison, and the integration of intangible cultural heritage (ICH) perspectives, the research identifies key changes in form, glaze, and symbolic connotation.It argues that despite formal innovations in modern adaptations, the aesthetic principles rooted in Song philosophy-simplicity, nature, and symbolism-continue to shape the cultural perception of Ru porcelain.The findings contribute to a broader understanding of ceramic heritage transmission and design innovation in the context of global material culture.

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Publication Details

Journal
International Journal of Academic Research in Progressive Education and Development
Published
2025-08-10
DOI
https://doi.org/10.6007/ijarped/v14-i3/26194
Primary Topic
Digital Media and Visual Art
Type
article
Field-Weighted Citation Impact
0.00
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article

From Song Dynasty to Modernity: The Morphological Evolution and Cultural Continuity of Ru Porcelain Yuhuchun Vases

Velu Perumal, Siti Mastura Md Ishak, Nazlina Shaari, Bin Song
International Journal of Academic Research in Progressive Education and Development
Digital Media and Visual Art
article

From Song Dynasty to Modernity: The Morphological Evolution and Cultural Continuity of Ru Porcelain Yuhuchun Vases

Velu Perumal, Siti Mastura Md Ishak, Nazlina Shaari, Bin Song
article en

Abstract

The Yuhuchun vase form, originating in the Song Dynasty, is a notable exemplar of Chinese ceramic aesthetics and cultural identity.This study examines the morphological evolution and cultural continuity of Ru porcelain Yuhuchun vases from their classical forms to contemporary reinterpretations.Through visual analysis, typological comparison, and the integration of intangible cultural heritage (ICH) perspectives, the research identifies key changes in form, glaze, and symbolic connotation.It argues that despite formal innovations in modern adaptations, the aesthetic principles rooted in Song philosophy-simplicity, nature, and symbolism-continue to shape the cultural perception of Ru porcelain.The findings contribute to a broader understanding of ceramic heritage transmission and design innovation in the context of global material culture.

International Journal of Academic Research in Progressive Education and DevelopmentVol. 14(3)
Universiti Putra Malaysia (MY), University of Kuala Lumpur (MY)
Openalex Percentile: Top 62%
Digital Media and Visual Art
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