REPRESENTATIONS OF THE MYTH IN THE NOVEL TEXT OF IBRAHIM ALKONI (MODEL OF BLEEDING OF THE STONE)

In our research, we will discuss the myth in Ibrahim Al-Koni's novel literature as a model for the representations of myth in novels, and how the place (the desert) affected his novelistic narration through his literary works, and moved the myth to other worlds in novelistic literature, and how he called for the formation in his myth and employed it in a new creative and innovative employment that employed symbols in the religious reference to form new worlds and expressed them in his spatiotemporal source in an integrated manner, which often appears in the embodiment of the graphic image within the myth of the biblical formation, and other types of beliefs and trends, which Al-Koni's literature and ideas were showered with in the desert, and shedding light on them in a novelistic and narrative art, with its governing rules and identifying the conclusions that led to the growth of the values of myth as a novelistic art in the model (Bleeding of the Stone), and how Al-Koni moved the myth through new horizons and spaces in time and place.

Publication Details

Journal
International Journal of Education and Language Studies
Published
2024-12-01
DOI
https://doi.org/10.47832/2791-9323fivefour4-4
Primary Topic
Linguistic, Cultural, and Literary Studies
Type
article
Field-Weighted Citation Impact
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article

REPRESENTATIONS OF THE MYTH IN THE NOVEL TEXT OF IBRAHIM ALKONI (MODEL OF BLEEDING OF THE STONE)

International Journal of Education and Language Studies
Linguistic, Cultural, and Literary Studies
article

REPRESENTATIONS OF THE MYTH IN THE NOVEL TEXT OF IBRAHIM ALKONI (MODEL OF BLEEDING OF THE STONE)

article en

Abstract

In our research, we will discuss the myth in Ibrahim Al-Koni's novel literature as a model for the representations of myth in novels, and how the place (the desert) affected his novelistic narration through his literary works, and moved the myth to other worlds in novelistic literature, and how he called for the formation in his myth and employed it in a new creative and innovative employment that employed symbols in the religious reference to form new worlds and expressed them in his spatiotemporal source in an integrated manner, which often appears in the embodiment of the graphic image within the myth of the biblical formation, and other types of beliefs and trends, which Al-Koni's literature and ideas were showered with in the desert, and shedding light on them in a novelistic and narrative art, with its governing rules and identifying the conclusions that led to the growth of the values of myth as a novelistic art in the model (Bleeding of the Stone), and how Al-Koni moved the myth through new horizons and spaces in time and place.

International Journal of Education and Language StudiesVol. 05(04)
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Linguistic, Cultural, and Literary Studies
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