An African Filmmaker's Journey Through Race, Art, and the Divide Between Two Continents

This essay chronicles the personal and professional journey of an African filmmaker navigating the intersections of race, identity, and artistic expression in his move from Europe to the US, confronted with different understandings of Blackness and racial difference. The essay reflects on how cultural dislocation, systemic bias, political commitments, and differing aesthetic values shape the filmmaker’s vision and voice. It also gestures toward possibilities for building a more unified Black Arts scene in the United States, transcending established divisions between African-American and African communities.

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Publication Details

Journal
Journal of Global Postcolonial Studies
Published
2025-08-08
DOI
https://doi.org/10.5744/jgps.2025.3019
Primary Topic
African history and culture studies
Type
article
Field-Weighted Citation Impact
0.00
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article

An African Filmmaker's Journey Through Race, Art, and the Divide Between Two Continents

Idrissou Mora-Kpai
Journal of Global Postcolonial Studies
African history and culture studies
article

An African Filmmaker's Journey Through Race, Art, and the Divide Between Two Continents

Idrissou Mora-Kpai
article en

Abstract

This essay chronicles the personal and professional journey of an African filmmaker navigating the intersections of race, identity, and artistic expression in his move from Europe to the US, confronted with different understandings of Blackness and racial difference. The essay reflects on how cultural dislocation, systemic bias, political commitments, and differing aesthetic values shape the filmmaker’s vision and voice. It also gestures toward possibilities for building a more unified Black Arts scene in the United States, transcending established divisions between African-American and African communities.

Journal of Global Postcolonial Studies
Pratt Institute (US)
Openalex Percentile: Top 75%
African history and culture studies
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