Visible Bullets: Shakespeare at the Ukrainian Front and Beyond

The use of Shakespeare within warzones and at the frontline of conflict centralizes vital questions about the role of the arts during times of profound crisis, when lives and liberties are under direct attack. This article first considers Shakespearean productions linked to Russia’s 2022 invasion of Ukraine, concentrating on the inaugural Ukrainian Shakespeare Festival and two documentaries that reveal how staging Shakespeare can serve humanitarian needs, promote political debate, and help individuals to process their wartime experiences. It then expands to include examples from other conflicts, including the First World War and the ongoing crisis in Gaza, and argues that warzone productions—in addition to embracing what theatre can achieve at times of conflict—also address its limitations. Warzone performances often acknowledge a gulf between representation and lived experience, between tragedy as a dramatic form and reality, which is reinforced when the individuals staging Shakespeare are also ‘actors’ in the war. This article proposes that what unites war and theatre is the power of narrative for shaping action and interpretation, and this recognition underlines the responsibilities of political and theatrical narratives at times of war, as well as the role of the critic.