Drone Visuals: Urban Wasteland and Apocalyptic Memory

Drones have been widely applied in citizen journalism and media communication. During the COVID-19 pandemic, videographers used drone cameras to document lockdown cities, with their footage going viral across social media. This study examines “ghost town” drone imagery as both a documentary witness to disaster and the expression of postapocalyptic vision mediated through nonhuman agency. By analyzing these visuals, I interrogate how drone documentation reveals an “apocalyptic memory”—a temporal bridge linking historical precedents to speculative futures. Central to this inquiry is how drone visuals construct urban wastelands while evoking mourning through a negative sublime, manifested in grotesque and uncanny aesthetics. In addition, I investigate how drone documentation demonstrates nonhuman agency through a relational framework, analyzing human–machine interactions and broader social dynamics. Grounded in these observations, the research engages with contemporary postapocalyptic imaginaries, particularly those reflecting existential anxieties stemming from environmental crises.

Authors

Institutions

Publication Details

Journal
Space and Culture
Published
2025-08-15
DOI
https://doi.org/10.1177/12063312251363087
Primary Topic
Geographies of human-animal interactions
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Drone Visuals: Urban Wasteland and Apocalyptic Memory

Meng Xia
Space and Culture
Geographies of human-animal interactions
article

Drone Visuals: Urban Wasteland and Apocalyptic Memory

Meng Xia
article en

Abstract

Drones have been widely applied in citizen journalism and media communication. During the COVID-19 pandemic, videographers used drone cameras to document lockdown cities, with their footage going viral across social media. This study examines “ghost town” drone imagery as both a documentary witness to disaster and the expression of postapocalyptic vision mediated through nonhuman agency. By analyzing these visuals, I interrogate how drone documentation reveals an “apocalyptic memory”—a temporal bridge linking historical precedents to speculative futures. Central to this inquiry is how drone visuals construct urban wastelands while evoking mourning through a negative sublime, manifested in grotesque and uncanny aesthetics. In addition, I investigate how drone documentation demonstrates nonhuman agency through a relational framework, analyzing human–machine interactions and broader social dynamics. Grounded in these observations, the research engages with contemporary postapocalyptic imaginaries, particularly those reflecting existential anxieties stemming from environmental crises.

Space and Culture
Heidelberg University (DE), Zhejiang University of Water Resource and Electric Power (CN)
Openalex Percentile: Top 74%
Geographies of human-animal interactions
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.