The racial optics of crisis: Racialized innocence and the politics of care in adolescence

This article examines Adolescence , the Netflix series exploring the radicalization of a white teenage boy through the lens of racialized empathy and incel ideology. While the show offers a nuanced portrayal of isolation, toxic masculinity and emotional repression, its silence on race is not neutral. Rather, it reflects a broader cultural framework in which white male anxiety is legible, redeemable and deserving of care. Drawing on scholarship in media studies, Black feminist theory and critical race analysis, I argue that Adolescence depends on the racial legibility of both its perpetrator and his victim. Jamie’s redemption arc is made possible by institutions (i.e. schools, media, mental health services) that often criminalize or abandon young people of colour. Meanwhile, the victim’s identity as a white girl reinforces dominant narratives of white femininity as inherently innocent and in need of protection, thereby eliciting a heightened moral response from the show’s audience. The article also situates incel discourse within a racialized fantasy of re-entitlement, where whiteness and male dominance are imagined as lost privileges. Ultimately, Adolescence invites reflection not just on masculinity and gender-based violence but also on the structural conditions that determine whose suffering is recognized and whose lives are treated as worth saving.

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Publication Details

Journal
European Journal of Cultural Studies
Published
2025-08-16
DOI
https://doi.org/10.1177/13675494251364728
Primary Topic
Education Discipline and Inequality
Type
article
Field-Weighted Citation Impact
0.00
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article

The racial optics of crisis: Racialized innocence and the politics of care in adolescence

Cornel Grey
European Journal of Cultural Studies
Education Discipline and Inequality
article

The racial optics of crisis: Racialized innocence and the politics of care in adolescence

Cornel Grey
article en

Abstract

This article examines Adolescence , the Netflix series exploring the radicalization of a white teenage boy through the lens of racialized empathy and incel ideology. While the show offers a nuanced portrayal of isolation, toxic masculinity and emotional repression, its silence on race is not neutral. Rather, it reflects a broader cultural framework in which white male anxiety is legible, redeemable and deserving of care. Drawing on scholarship in media studies, Black feminist theory and critical race analysis, I argue that Adolescence depends on the racial legibility of both its perpetrator and his victim. Jamie’s redemption arc is made possible by institutions (i.e. schools, media, mental health services) that often criminalize or abandon young people of colour. Meanwhile, the victim’s identity as a white girl reinforces dominant narratives of white femininity as inherently innocent and in need of protection, thereby eliciting a heightened moral response from the show’s audience. The article also situates incel discourse within a racialized fantasy of re-entitlement, where whiteness and male dominance are imagined as lost privileges. Ultimately, Adolescence invites reflection not just on masculinity and gender-based violence but also on the structural conditions that determine whose suffering is recognized and whose lives are treated as worth saving.

European Journal of Cultural Studies
Western University (CA)
Openalex Percentile: Top 77%
Education Discipline and Inequality
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