How pictorial are mnemic scenarios?

Abstract In “Mnemic Scenarios as Pictures”, Kristina Liefke has offered a substantive, powerful and insightful account of episodic memory based on a version of picture semantics. Despite its ingenuity and sophistication, I am going to suggest that the scope of this account is much more limited than the author has suggested. More specifically, I will develop the following three interrelated points: (1) even if we consider visual-based episodic memory only, it is seldom the case that such experiences are pictorial in the relevant sense; (2) it is even more doubtful that non-visual-based episodic memory is pictorial as the author understands it and (3) most (if not all) cases of episodic memory are multisensory or multimodal. The upshot is that even if Liefke’s pictorial appropriation is by and large cogent for certain cases, the scope of such an account is much more limited than it might appear to be.

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Publication Details

Journal
Asian Journal of Philosophy
Published
2025-08-18
DOI
https://doi.org/10.1007/s44204-025-00307-6
Primary Topic
Categorization, perception, and language
Type
article
Field-Weighted Citation Impact
0.00
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article

How pictorial are mnemic scenarios?

Tony Cheng
Asian Journal of Philosophy
Categorization, perception, and language
article

How pictorial are mnemic scenarios?

Tony Cheng
article en

Abstract

Abstract In “Mnemic Scenarios as Pictures”, Kristina Liefke has offered a substantive, powerful and insightful account of episodic memory based on a version of picture semantics. Despite its ingenuity and sophistication, I am going to suggest that the scope of this account is much more limited than the author has suggested. More specifically, I will develop the following three interrelated points: (1) even if we consider visual-based episodic memory only, it is seldom the case that such experiences are pictorial in the relevant sense; (2) it is even more doubtful that non-visual-based episodic memory is pictorial as the author understands it and (3) most (if not all) cases of episodic memory are multisensory or multimodal. The upshot is that even if Liefke’s pictorial appropriation is by and large cogent for certain cases, the scope of such an account is much more limited than it might appear to be.

Asian Journal of PhilosophyVol. 4(2)
Waseda University (JP)
Openalex Percentile: Top 78%
Categorization, perception, and language
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