Tradition Meets Innovation: Malay Symbols (Tanggam) In Contemporary Sculpture - An Analysis of Hilal Mazlan's Kinetic Sculpture (Labyrinth)

This research explores the intersection of tradition and innovation in contemporary sculpture, focusing on the selected sculpture of Hilal Mazlan. Through an in-depth analysis of Hilal's kinetic sculpture, the research examines how traditional Malay symbols, particularly the concept of 'Tanggam,' are reinterpreted and integrated into modern art forms. Tanggam, a traditional woodworking technique known for its intricate joinery and cultural significance, serves as a foundational element in Hilal's artistic expression. By incorporating kinetic elements, Hilal revitalizes these cultural motifs, creating dynamic sculptures that engage viewers on both an aesthetic and conceptual level. This analysis highlights the ways in which Hilal's work navigates the dialogue between heritage and modernity, offering new insights into the evolving landscape of contemporary Malaysian art. The researcher used a qualitative research method in this research. This kind of method uses combining techniques between primary and secondary data. Edwin Panofsky's theory will be used as a means to conclude this research and to analyse Hilal “Labyrinth” sculpture. Keywords: Tanggam, Kinetic Sculpture, Malay Symbols, Hilal Mazlan, Modern Art Techniques