Illuminating Rembrandt’s Chiaroscuro in The Night Watch: the painting process of Van Ruytenburch’s costume

This study examines Rembrandt's use of <i>chiaroscuro</i> to depict the costume of Lieutenant Willem Van Ruytenburch, a prominently lit figure in <i>The Night Watch</i> (1642). As part of <i>Operation Night Watch</i>, the painting was analyzed using noninvasive imaging techniques, including reflectance imaging spectroscopy (RIS), macroscopic X-ray powder diffraction (MA-XRPD), and macroscopic X-ray fluorescence (MA-XRF). These methods enabled the mapping of the artist's pigment palette, which includes lead white, lead-tin yellow, ochres, vermilion, arsenic sulfide pigments, red lakes, smalt, and azurite. Rembrandt applied these pigments in a consistent, systematic way, combining them in groups to achieve pictorial unity. Notably, arsenic-based pigments were used to capture the warm reflections of gold threads, unique to Van Ruytenburch's costume. MA-XRPD also identified degradation products-mimetite, weddellite, and palmierite-associated with the original pigments. These results provide new insights into Rembrandt's modus operandi and inform understanding of the current condition and implications for its conservation.

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Publication Details

Journal
npj Heritage Science
Published
2025-08-18
DOI
https://doi.org/10.1038/s40494-025-01874-w
Primary Topic
Cultural Heritage Materials Analysis
Type
article
Field-Weighted Citation Impact
0.00

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article

Illuminating Rembrandt’s Chiaroscuro in The Night Watch: the painting process of Van Ruytenburch’s costume

Steven De Meyer, Inez Dorothé van der Werf, Mitra Almasian, Koen Janssens et al.
npj Heritage Science
Cultural Heritage Materials Analysis
article

Illuminating Rembrandt’s Chiaroscuro in The Night Watch: the painting process of Van Ruytenburch’s costume

Steven De Meyer, Inez Dorothé van der Werf, Mitra Almasian, Koen Janssens, Francesca Gabrieli, Petria Noble, Nouchka De Keyser, Arthur Gestels, Erma Hermens, Katrien Keune, Frederik Vanmeert, Fréderique Broers, Víctor García González, Annelies van Loon
article en

Abstract

This study examines Rembrandt's use of <i>chiaroscuro</i> to depict the costume of Lieutenant Willem Van Ruytenburch, a prominently lit figure in <i>The Night Watch</i> (1642). As part of <i>Operation Night Watch</i>, the painting was analyzed using noninvasive imaging techniques, including reflectance imaging spectroscopy (RIS), macroscopic X-ray powder diffraction (MA-XRPD), and macroscopic X-ray fluorescence (MA-XRF). These methods enabled the mapping of the artist's pigment palette, which includes lead white, lead-tin yellow, ochres, vermilion, arsenic sulfide pigments, red lakes, smalt, and azurite. Rembrandt applied these pigments in a consistent, systematic way, combining them in groups to achieve pictorial unity. Notably, arsenic-based pigments were used to capture the warm reflections of gold threads, unique to Van Ruytenburch's costume. MA-XRPD also identified degradation products-mimetite, weddellite, and palmierite-associated with the original pigments. These results provide new insights into Rembrandt's modus operandi and inform understanding of the current condition and implications for its conservation.

npj Heritage ScienceVol. 13(1)
Royal Institute for Cultural Heritage (BE), Centre National de la Recherche Scientifique (FR), Rijksmuseum (NL), University of Antwerp (BE), Utrecht University (NL), Université Paris-Saclay (FR), Antwerp Management School (BE), Cultural Heritage Agency of Netherlands (NL), Haga Hospital (NL), Conservation Leadership Programme (GB), Amsterdam University Medical Centers (NL), University of Amsterdam (NL)
Nederlandse Organisatie voor Wetenschappelijk Onderzoek, Interreg Vlaanderen-Nederland, Horizon 2020 Framework Programme
Openalex Percentile: Top 77%
Cultural Heritage Materials Analysis
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