Modern pigments in street art: stability of monoazo and isoindoline yellows mixed with 2PbCO3‧Pb(OH)2, ZnO, and TiO2 white pigments

The physical and chemical stability of commercial monoazo (PY1) and isoindoline (PY139) yellow pigments was investigated when dispersed in linseed oil and combined with three inorganic white pigments: 2PbCO 3 ‧Pb(OH) 2 , ZnO, and TiO 2 , forming binary and ternary mixtures. These systems were subjected to accelerated aging in a climatic chamber at 30 °C and 60 % RH. Surface and subsurface changes induced by artificial aging were analyzed using a multi-technique approach, including colorimetry, Fourier Transform Infrared Spectroscopy in Attenuated Total Reflectance mode (ATR-FTIR), micro-Raman Spectroscopy (μ-RS), and Time-of-Flight Secondary Ion Mass Spectrometry (ToF-SIMS). Evident color changes were observed, highlighting the impact of metal oxides on the degradation of yellow pigments. Titanium white promoted marked degradation at the surface level, leading to the near-complete disappearance of the yellow components. This effect was attributed to the photocatalytic activity of nanosized TiO 2 . Conversely, despite its known photocatalytic properties, ZnO did not trigger significant degradation, a result linked to its larger particle size, which limited its reactivity. 2PbCO 3 ‧Pb(OH) 2 , on the other hand, mainly affected the oil binder's drying process and promoted chemical oxidation of the finely dispersed fraction of the yellow pigments, while leaving larger, undegraded aggregates unevenly distributed across the surface. These findings shed light on pigment-metal oxide interactions in modern paint systems and offer valuable insight for understanding the long-term behavior of such materials in contemporary artworks and street art exposed to outdoor environments. • TiO₂ caused the strongest fading of PY1 and PY139 via photocatalysis. • Lead white sped oil drying and oxidation without major pigment loss. • ZnO induced mild pigment loss and formed zinc–carboxylate soaps. • All mixtures showed strong yellow loss, with TiO₂ giving ΔE up to 73. • Multi-technique study revealed surface and subsurface aging effects.

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Publication Details

Journal
Dyes and Pigments
Published
2025-08-09
DOI
https://doi.org/10.1016/j.dyepig.2025.113122
Citations
3
Primary Topic
Cultural Heritage Materials Analysis
Type
article
Field-Weighted Citation Impact
24.82

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article

Modern pigments in street art: stability of monoazo and isoindoline yellows mixed with 2PbCO3‧Pb(OH)2, ZnO, and TiO2 white pigments

Armida Sodo, Eleonora Marconi, Antonella Privitera, Elisabetta Colantoni et al.
3 citations
Dyes and Pigments
Cultural Heritage Materials Analysis
24.82
article

Modern pigments in street art: stability of monoazo and isoindoline yellows mixed with 2PbCO3‧Pb(OH)2, ZnO, and TiO2 white pigments

Armida Sodo, Eleonora Marconi, Antonella Privitera, Elisabetta Colantoni, Valerio Graziani, P. Antici, Luca Tortora, Agnese De Carlo, Giulia Iorio
article en
3 citations

Abstract

The physical and chemical stability of commercial monoazo (PY1) and isoindoline (PY139) yellow pigments was investigated when dispersed in linseed oil and combined with three inorganic white pigments: 2PbCO 3 ‧Pb(OH) 2 , ZnO, and TiO 2 , forming binary and ternary mixtures. These systems were subjected to accelerated aging in a climatic chamber at 30 °C and 60 % RH. Surface and subsurface changes induced by artificial aging were analyzed using a multi-technique approach, including colorimetry, Fourier Transform Infrared Spectroscopy in Attenuated Total Reflectance mode (ATR-FTIR), micro-Raman Spectroscopy (μ-RS), and Time-of-Flight Secondary Ion Mass Spectrometry (ToF-SIMS). Evident color changes were observed, highlighting the impact of metal oxides on the degradation of yellow pigments. Titanium white promoted marked degradation at the surface level, leading to the near-complete disappearance of the yellow components. This effect was attributed to the photocatalytic activity of nanosized TiO 2 . Conversely, despite its known photocatalytic properties, ZnO did not trigger significant degradation, a result linked to its larger particle size, which limited its reactivity. 2PbCO 3 ‧Pb(OH) 2 , on the other hand, mainly affected the oil binder's drying process and promoted chemical oxidation of the finely dispersed fraction of the yellow pigments, while leaving larger, undegraded aggregates unevenly distributed across the surface. These findings shed light on pigment-metal oxide interactions in modern paint systems and offer valuable insight for understanding the long-term behavior of such materials in contemporary artworks and street art exposed to outdoor environments. • TiO₂ caused the strongest fading of PY1 and PY139 via photocatalysis. • Lead white sped oil drying and oxidation without major pigment loss. • ZnO induced mild pigment loss and formed zinc–carboxylate soaps. • All mixtures showed strong yellow loss, with TiO₂ giving ΔE up to 73. • Multi-technique study revealed surface and subsurface aging effects.

Dyes and PigmentsVol. 244
Roma Tre University (IT), Institut National de la Recherche Scientifique (CA), Institute for Technologies Applied to Cultural Heritage (IT), University of Bologna (IT)
European Commission, Istituto Nazionale di Fisica Nucleare, Instituto Nazionale di Fisica Nucleare, Commissione Scientifica Nazionale 5, Instituto Nazionale di Fisica Nucleare
Sustainable cities and communities
Openalex Percentile: Top 1%
Cultural Heritage Materials Analysis
24.82
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