Ananta Toer in Malaysia: Humanist Ideology, Reception History, and His Position in the Nusantara Literary Discourse

This paper Pramoedya Ananta Toer, a major literary figure in Indonesia, has made significant contributions to the Malay literary world through works that champion social justice, nationalism, and historical consciousness. In Malaysia, his works have found a place in educational and academic domains despite being banned or rejected in his home country during the New Order regime. This study traces the reception history of Pramoedya’s works in Malaysia, identifies the ideological factors shaping this acceptance, and analyses how he has been appreciated by Malaysian scholars. Using a qualitative approach combining in-depth interviews, textual analysis, and documentary research, this article argues that Pramoedya’s contributions are valued not merely through the lens of political controversy, but from perspectives of humanism, postcolonial values, and regional literary solidarity within the Malay world.

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Publication Details

Journal
Proceeding Bali-Bhuwana Waskita Global Art Creativity Conference
Published
2025-08-10
DOI
https://doi.org/10.31091/bbwp.v5i1.622
Primary Topic
Asian Studies and History
Type
article
Field-Weighted Citation Impact
0.00
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article

Ananta Toer in Malaysia: Humanist Ideology, Reception History, and His Position in the Nusantara Literary Discourse

Nurhanis Sahiddan, Awang Azman Awang Pawi, Nik Rafidah Muhamad Nik Affendi Pi
Proceeding Bali-Bhuwana Waskita Global Art Creativity Conference
Asian Studies and History
article

Ananta Toer in Malaysia: Humanist Ideology, Reception History, and His Position in the Nusantara Literary Discourse

Nurhanis Sahiddan, Awang Azman Awang Pawi, Nik Rafidah Muhamad Nik Affendi Pi
article en

Abstract

This paper Pramoedya Ananta Toer, a major literary figure in Indonesia, has made significant contributions to the Malay literary world through works that champion social justice, nationalism, and historical consciousness. In Malaysia, his works have found a place in educational and academic domains despite being banned or rejected in his home country during the New Order regime. This study traces the reception history of Pramoedya’s works in Malaysia, identifies the ideological factors shaping this acceptance, and analyses how he has been appreciated by Malaysian scholars. Using a qualitative approach combining in-depth interviews, textual analysis, and documentary research, this article argues that Pramoedya’s contributions are valued not merely through the lens of political controversy, but from perspectives of humanism, postcolonial values, and regional literary solidarity within the Malay world.

Proceeding Bali-Bhuwana Waskita Global Art Creativity ConferenceVol. 5
Universitas Wijaya Putra (ID), University of Malaya (MY)
Openalex Percentile: Top 72%
Asian Studies and History
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