Echoes of Waste: Eco-Conscious Fashion Expression in the Spirit of Pramoedya Ananta Toer

This work serves as a visual expression rooted in deep concern over environmental exploitation and the ongoing degradation of marine ecosystems. Through a sustainable fashion approach, this couture garment is crafted using post-consumer materials such as discarded denim, damaged compact discs, and plastic bottles, serving as a critical response to the consumerist culture that negatively impacts nature. The research adopts a descriptive qualitative method, utilizing the stages of exploration, experimentation, and formation as outlined by Alma M. Hawkins. It also incorporates the humanistic philosophy of Pramoedya Ananta Toer as a cultural lens to frame the narrative. The creative process reveals that fashion design can be a powerful medium for ecological critique, offering an alternative narrative that fosters collective environmental awareness. This work affirms that fashion is not merely about visual aesthetics, but also a space of resistance—one that advocates for humanity and sustainability.

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Publication Details

Journal
Proceeding Bali-Bhuwana Waskita Global Art Creativity Conference
Published
2025-08-10
DOI
https://doi.org/10.31091/bbwp.v5i1.625
Primary Topic
Crafts, Textile, and Design
Type
article
Field-Weighted Citation Impact
0.00
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article

Echoes of Waste: Eco-Conscious Fashion Expression in the Spirit of Pramoedya Ananta Toer

I Gede Jaya Putra, Vita Wulansari, Evelyn Patricia Putra
Proceeding Bali-Bhuwana Waskita Global Art Creativity Conference
Crafts, Textile, and Design
article

Echoes of Waste: Eco-Conscious Fashion Expression in the Spirit of Pramoedya Ananta Toer

I Gede Jaya Putra, Vita Wulansari, Evelyn Patricia Putra
article en

Abstract

This work serves as a visual expression rooted in deep concern over environmental exploitation and the ongoing degradation of marine ecosystems. Through a sustainable fashion approach, this couture garment is crafted using post-consumer materials such as discarded denim, damaged compact discs, and plastic bottles, serving as a critical response to the consumerist culture that negatively impacts nature. The research adopts a descriptive qualitative method, utilizing the stages of exploration, experimentation, and formation as outlined by Alma M. Hawkins. It also incorporates the humanistic philosophy of Pramoedya Ananta Toer as a cultural lens to frame the narrative. The creative process reveals that fashion design can be a powerful medium for ecological critique, offering an alternative narrative that fosters collective environmental awareness. This work affirms that fashion is not merely about visual aesthetics, but also a space of resistance—one that advocates for humanity and sustainability.

Proceeding Bali-Bhuwana Waskita Global Art Creativity ConferenceVol. 5
Institut Seni Indonesia Denpasar (ID), Institut Seni Budaya Indonesia Bandung (ID), Institut Seni Indonesia Surakarta (ID)
Openalex Percentile: Top 79%
Crafts, Textile, and Design
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