LUIGI NONO’S IL CANTO SOSPESO – A MODERN REPRESENTATION OF SACRIFICE

In this article, we will explore Luigi Nono’s Il Canto Sospeso as a modern representation of sacrifice, structured within the framework of total serialism. The piece highlights its textual foundation, which plays a central role in conveying the ideological message of the composition. The text is taken from Lettere di condannati a morte della Resistenza europea (1954), a collection of letters written by those sentenced to death during the European Resistance. The work is divided into four literary sections, each representing a transformation of the concepts of death and sacrifice: literary, realist, transitional, and compassionate. Through its serialist technique, Nono adapts the thematic elements of the text to the rigid and fearful context of the 20th century. The music not only enhances the text’s meaning but also provides a modern and emotional interpretation of sacrifice, focusing on its psychological and personal impact rather than a historical narrative.

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Publication Details

Journal
Studia Universitatis Babeş-Bolyai Musica
Published
2025-08-01
DOI
https://doi.org/10.24193/subbmusica.2025.spiss3.11
Primary Topic
Italian Fascism and Post-war Society
Type
article
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article

LUIGI NONO’S IL CANTO SOSPESO – A MODERN REPRESENTATION OF SACRIFICE

Alexandra Belibou, Ștefan MILUTINOVICI
Studia Universitatis Babeş-Bolyai Musica
Italian Fascism and Post-war Society
article

LUIGI NONO’S IL CANTO SOSPESO – A MODERN REPRESENTATION OF SACRIFICE

Alexandra Belibou, Ștefan MILUTINOVICI
article en

Abstract

In this article, we will explore Luigi Nono’s Il Canto Sospeso as a modern representation of sacrifice, structured within the framework of total serialism. The piece highlights its textual foundation, which plays a central role in conveying the ideological message of the composition. The text is taken from Lettere di condannati a morte della Resistenza europea (1954), a collection of letters written by those sentenced to death during the European Resistance. The work is divided into four literary sections, each representing a transformation of the concepts of death and sacrifice: literary, realist, transitional, and compassionate. Through its serialist technique, Nono adapts the thematic elements of the text to the rigid and fearful context of the 20th century. The music not only enhances the text’s meaning but also provides a modern and emotional interpretation of sacrifice, focusing on its psychological and personal impact rather than a historical narrative.

Studia Universitatis Babeş-Bolyai Musica
Transylvania University of Brașov (RO)
Peace, Justice and strong institutions
Openalex Percentile: Top 72%
Italian Fascism and Post-war Society
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LUIGI NONO’S IL CANTO SOSPESO – A MODERN REPRESENTATION OF SACRIFICE — Alexandra Belibou, Ștefan MILUTINOVICI · Studia Universitatis Babeş-Bolyai Musica (2025) | TGRS Research Map | TGRS