ANALYSING SCHOENBERG’S PIANO PIECES OP. 19: HISTORY AND METHODOLOGY

Schoenberg’s Op. 19 has become a classic in musical analysis. There are hardly any analytical approaches to twentieth-century music that have not been demonstrated using this cycle. Consequently, the body of research on Op. 19 also provides a good overview of analytical methods that were developed for, or have at least been applied to, atonal music.

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Publication Details

Journal
Studia Universitatis Babeş-Bolyai Musica
Published
2025-08-01
DOI
https://doi.org/10.24193/subbmusica.2025.spiss3.05
Primary Topic
Music and Audio Processing
Type
article
Field-Weighted Citation Impact
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article

ANALYSING SCHOENBERG’S PIANO PIECES OP. 19: HISTORY AND METHODOLOGY

Martin Eybl
Studia Universitatis Babeş-Bolyai Musica
Music and Audio Processing
article

ANALYSING SCHOENBERG’S PIANO PIECES OP. 19: HISTORY AND METHODOLOGY

Martin Eybl
article en

Abstract

Schoenberg’s Op. 19 has become a classic in musical analysis. There are hardly any analytical approaches to twentieth-century music that have not been demonstrated using this cycle. Consequently, the body of research on Op. 19 also provides a good overview of analytical methods that were developed for, or have at least been applied to, atonal music.

Studia Universitatis Babeş-Bolyai Musica
University of Music and Performing Arts Vienna (AT)
Openalex Percentile: Top 75%
Music and Audio Processing
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ANALYSING SCHOENBERG’S PIANO PIECES OP. 19: HISTORY AND METHODOLOGY — Martin Eybl · Studia Universitatis Babeş-Bolyai Musica (2025) | TGRS Research Map | TGRS