Divine Elegance: A Feminist Semiotic Analysis of Christian Dior’s “New Look”
This study explores the intersection of art, culture, and religion in Christian Dior’s iconic 1947 “New Look” Bar Suit through an intersectional feminist semiotic lens. The research addresses how fashion, as a cultural text, embodies and negotiates religious and cultural meanings whilst acknowledging the complexities of women’s agency in post-war society.
Authors
- Mobolanle Ebunoluwa Sotunsa
- Odinichi Kelicha Ochonogor
- Paula Ibukunoluwa Idowu
Publication Details
- Journal
- International Journal of Research and Innovation in Social Science
- Published
- 2025-01-01
- DOI
- https://doi.org/10.47772/ijriss.2025.907000273
- Primary Topic
- Media, Gender, and Advertising
- Type
- article
- Field-Weighted Citation Impact
- 0.00