<i>Idrissa</i> : Spanish Rule of Law Necropower and the Exhumed Migrant Body

This commentary examines the 2018 Spanish documentary Idrissa: crónica de una muerte cualquiera ( Idrissa: Chronicle of an Ordinary Death ), directed by Xavier Artigas and Xapo Ortega, which investigates the circumstances surrounding the death of Idrissa Diallo, a twenty-one-year-old man from Guinea-Conakry who died while in the custody of the Spanish state at the Centro de internamiento de extranjeros (Center of Interment for Foreigners, CIE) in Barcelona on January 6, 2012. Drawing on Ariadna Estévez’s notion of the “rule of law necropower” and James Martel’s work on the power of the unburied body, the commentary argues that the documentary compels us to reflect on the ways in which the CIEs in Spain operate through the rule of law, not as an exception to it. By filming the materiality of the exhumed migrant body, the commentary proposes, the documentary itself becomes a form of resistance to necropolitical violence.

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Publication Details

Journal
Law Culture and the Humanities
Published
2025-08-08
DOI
https://doi.org/10.1177/17438721251356243
Primary Topic
Immigration and Intercultural Education
Type
article
Field-Weighted Citation Impact
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article

Idrissa : Spanish Rule of Law Necropower and the Exhumed Migrant Body

Mónica López Lerma
Law Culture and the Humanities
Immigration and Intercultural Education
article

Idrissa : Spanish Rule of Law Necropower and the Exhumed Migrant Body

Mónica López Lerma
article en

Abstract

This commentary examines the 2018 Spanish documentary Idrissa: crónica de una muerte cualquiera ( Idrissa: Chronicle of an Ordinary Death ), directed by Xavier Artigas and Xapo Ortega, which investigates the circumstances surrounding the death of Idrissa Diallo, a twenty-one-year-old man from Guinea-Conakry who died while in the custody of the Spanish state at the Centro de internamiento de extranjeros (Center of Interment for Foreigners, CIE) in Barcelona on January 6, 2012. Drawing on Ariadna Estévez’s notion of the “rule of law necropower” and James Martel’s work on the power of the unburied body, the commentary argues that the documentary compels us to reflect on the ways in which the CIEs in Spain operate through the rule of law, not as an exception to it. By filming the materiality of the exhumed migrant body, the commentary proposes, the documentary itself becomes a form of resistance to necropolitical violence.

Law Culture and the HumanitiesVol. 22(1)
Reed College (US)
Openalex Percentile: Top 75%
Immigration and Intercultural Education
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