Walking the Waterways: Using Travel Diaries to (Re)story the Canal

Whereas many other canal users are transitory occupiers of this space-bargees passing on their narrowboats, dogs and their walkers (with their fitness apps), kingfishers with their ever-hungry stomachs-the Carlingers linger.The canal offers an unjudgmental space for them.Often frozen out of public houses, they have made the towpath their pub.With the canals and the can carriers pushed to the edges of more genteel consciousnesses, both have found a foundation with the other.The moment passes.The wind shifts.Lorries downshifting on the motorway push the faint sounds of the lock away again.Clouds move and the light slants in a slightly different direction; the floating Carling can fades back into the oily sheen of the water.The scene moves on.The can, however, remains.

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Publication Details

Journal
Scope Contemporary Research Topics (Art & Design)
Published
2025-01-01
DOI
https://doi.org/10.34074/scop.1029015
Primary Topic
Canadian Identity and History
Type
article
Field-Weighted Citation Impact
0.00
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article

Walking the Waterways: Using Travel Diaries to (Re)story the Canal

Edward Loveman, William Rupp
Scope Contemporary Research Topics (Art & Design)
Canadian Identity and History
article

Walking the Waterways: Using Travel Diaries to (Re)story the Canal

Edward Loveman, William Rupp
article en

Abstract

Whereas many other canal users are transitory occupiers of this space-bargees passing on their narrowboats, dogs and their walkers (with their fitness apps), kingfishers with their ever-hungry stomachs-the Carlingers linger.The canal offers an unjudgmental space for them.Often frozen out of public houses, they have made the towpath their pub.With the canals and the can carriers pushed to the edges of more genteel consciousnesses, both have found a foundation with the other.The moment passes.The wind shifts.Lorries downshifting on the motorway push the faint sounds of the lock away again.Clouds move and the light slants in a slightly different direction; the floating Carling can fades back into the oily sheen of the water.The scene moves on.The can, however, remains.

Scope Contemporary Research Topics (Art & Design)Vol. 29
Openalex Percentile: Top 73%
Canadian Identity and History
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