The Reality and Representation of Child Prostitution in the Movie〈Holly〉

This study examines the representation of child prostitution and sexual exploitation in Southeast Asia as depicted in the film〈Holly〉. Employing the theory of representation as its primary theoretical framework, the analysis focuses on how structural violence—such as poverty, human trafficking, and prostitution—is visualized through the lived experiences of 12-year-old Holly. In particular, the study explores how the film portrays the complex layers of social power relations that shape Holly’s reality, including the sexual objectification of women and children, the commodification of virginity, the collusion of institutional authorities, and the familial structures that sustain sexual commercialization. The film is thus interpreted as a representational medium that not only reflects reality but also fosters ethical awareness regarding sexual exploitation. Furthermore, the analysis critiques the ethical limitations inherent in the white male savior narrative centered on the character Patrick, while also recognizing the film’s attempt to transcend this narrative through Holly’s gradual assertion of subjectivity. Ultimately, 〈Holly〉offers meaningful insights for rethinking sexual exploitation and human rights discourse from a more ethically grounded and practically engaged perspective.

Authors

Publication Details

Journal
The Journal of East-West Comparative Literature
Published
2025-06-30
DOI
https://doi.org/10.29324/jewcl.2025.6.72.139
Primary Topic
Asian Culture and Media Studies
Type
article
Field-Weighted Citation Impact
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article

The Reality and Representation of Child Prostitution in the Movie〈Holly〉

Jeonghun Nam
The Journal of East-West Comparative Literature
Asian Culture and Media Studies
article

The Reality and Representation of Child Prostitution in the Movie〈Holly〉

Jeonghun Nam
article en

Abstract

This study examines the representation of child prostitution and sexual exploitation in Southeast Asia as depicted in the film〈Holly〉. Employing the theory of representation as its primary theoretical framework, the analysis focuses on how structural violence—such as poverty, human trafficking, and prostitution—is visualized through the lived experiences of 12-year-old Holly. In particular, the study explores how the film portrays the complex layers of social power relations that shape Holly’s reality, including the sexual objectification of women and children, the commodification of virginity, the collusion of institutional authorities, and the familial structures that sustain sexual commercialization. The film is thus interpreted as a representational medium that not only reflects reality but also fosters ethical awareness regarding sexual exploitation. Furthermore, the analysis critiques the ethical limitations inherent in the white male savior narrative centered on the character Patrick, while also recognizing the film’s attempt to transcend this narrative through Holly’s gradual assertion of subjectivity. Ultimately, 〈Holly〉offers meaningful insights for rethinking sexual exploitation and human rights discourse from a more ethically grounded and practically engaged perspective.

The Journal of East-West Comparative LiteratureVol. 72
Gender equality
Openalex Percentile: Top 75%
Asian Culture and Media Studies
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The Reality and Representation of Child Prostitution in the Movie〈Holly〉 — Jeonghun Nam · The Journal of East-West Comparative Literature (2025) | TGRS Research Map | TGRS