The Place And Proper Use Of Musical Instruments In The Liturgy

This reflection explores the rightful place and proper use of musical instruments in Catholic liturgical worship. Anchored on Article 120 of Sacrosanctum Concilium and key ecclesiastical documents like Musicam Sacram and Tra le Sollecitudini, it defines sacred instrumental music as that which is created for worship and is characterized by holiness, artistic value, and universality. It critiques contemporary liturgical practices in Nigeria, especially the frequent misuse of secular and banal instrumental styles under the guise of inculturation. It emphasizes the organ as the preeminent instrument in the Latin Church, extolling its capacity to sacralize worship space and elevate the minds of the faithful. Forms of instrumental arrangements such as the organ, gospel bands, native instruments and orchestras are discussed, with a call for all to conform to the sacred nature of liturgy. The essay concludes with practical guidelines on the use of musical instruments during different liturgical seasons and underscores the instrument’s supporting—not overwhelming—role in worship.

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Publication Details

Journal
Boston Research Journal of Social Sciences & Humanities
Published
2025-05-15
DOI
https://doi.org/10.63942/brjssh.v5.i2.p49.46974
Primary Topic
Diverse Musicological Studies
Type
article
Field-Weighted Citation Impact
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article

The Place And Proper Use Of Musical Instruments In The Liturgy

Jude Toochukwu Orakwe
Boston Research Journal of Social Sciences & Humanities
Diverse Musicological Studies
article

The Place And Proper Use Of Musical Instruments In The Liturgy

Jude Toochukwu Orakwe
article en

Abstract

This reflection explores the rightful place and proper use of musical instruments in Catholic liturgical worship. Anchored on Article 120 of Sacrosanctum Concilium and key ecclesiastical documents like Musicam Sacram and Tra le Sollecitudini, it defines sacred instrumental music as that which is created for worship and is characterized by holiness, artistic value, and universality. It critiques contemporary liturgical practices in Nigeria, especially the frequent misuse of secular and banal instrumental styles under the guise of inculturation. It emphasizes the organ as the preeminent instrument in the Latin Church, extolling its capacity to sacralize worship space and elevate the minds of the faithful. Forms of instrumental arrangements such as the organ, gospel bands, native instruments and orchestras are discussed, with a call for all to conform to the sacred nature of liturgy. The essay concludes with practical guidelines on the use of musical instruments during different liturgical seasons and underscores the instrument’s supporting—not overwhelming—role in worship.

Boston Research Journal of Social Sciences & HumanitiesVol. 5(2)
Openalex Percentile: Top 79%
Diverse Musicological Studies
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The Place And Proper Use Of Musical Instruments In The Liturgy — Jude Toochukwu Orakwe · Boston Research Journal of Social Sciences & Humanities (2025) | TGRS Research Map | TGRS