Kandinsky's Abstractionism and the Logic of the World Revolution

This article is a reflection on the fate of V.V. Kandinsky, on the fate of abstractionism in the art of the twentieth century and on the connection of all this with the logic of the world revolution. The author examines the internal connection between the logic of abstractionism in the art of the early twentieth century, the logic of its revolutionism and the logic of revolutionism in other aspects of the socio-cultural reality of this era. The idealdesign layers that allow us to talk about a single space of revolutionism, about symmetry and resonance between its various expressions are revealed. The dramatic correlation of ideal design and implementation plans in various aspects of the world revolution is shown. The paradoxical nature of secular esotericism is revealed, to which the path of Kandinsky can be attributed.