Analisis Teknik Bermain dan Melodi Lagu “Tristezas de um Violão” (Choro Triste No. 1) karya Garoto

This study analyzes the guitar techniques and melody in Garoto's *"Tristezas de um Violão"* (Choro Triste No. 1), arranged by Paulo Bellinati. The focus is on identifying classical guitar techniques such as barre, arpeggio, and glissando, and exploring the uniqueness of the melody. Using a descriptive approach and literature study method, data were collected through observation, documentation, and processing of primary and secondary sources. The results reveal that Garoto applied innovative and expressive guitar techniques, emphasizing technical and aesthetic elements that enhance the choro genre. Techniques like smooth glissando and dynamic arpeggios reflect a distinct and emotional playing style. Additionally, the melody structure demonstrates Garoto's creativity in blending traditional and modern elements. In conclusion, this study provides a deep understanding of Garoto's playing style, its relevance to classical guitarists, and its contribution to the choro music genre. The interpretation of the techniques and melodies offers valuable insights for music enthusiasts and inspiration for further development of guitar techniques.

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Publication Details

Journal
EDUMUSIKA
Published
2024-12-11
DOI
https://doi.org/10.24036/em.v2i4.118
Primary Topic
Cultural and Artistic Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Analisis Teknik Bermain dan Melodi Lagu “Tristezas de um Violão” (Choro Triste No. 1) karya Garoto

Tulus Handra Kadir, Juan Kevin Kallu
EDUMUSIKA
Cultural and Artistic Studies
article

Analisis Teknik Bermain dan Melodi Lagu “Tristezas de um Violão” (Choro Triste No. 1) karya Garoto

Tulus Handra Kadir, Juan Kevin Kallu
article en

Abstract

This study analyzes the guitar techniques and melody in Garoto's *"Tristezas de um Violão"* (Choro Triste No. 1), arranged by Paulo Bellinati. The focus is on identifying classical guitar techniques such as barre, arpeggio, and glissando, and exploring the uniqueness of the melody. Using a descriptive approach and literature study method, data were collected through observation, documentation, and processing of primary and secondary sources. The results reveal that Garoto applied innovative and expressive guitar techniques, emphasizing technical and aesthetic elements that enhance the choro genre. Techniques like smooth glissando and dynamic arpeggios reflect a distinct and emotional playing style. Additionally, the melody structure demonstrates Garoto's creativity in blending traditional and modern elements. In conclusion, this study provides a deep understanding of Garoto's playing style, its relevance to classical guitarists, and its contribution to the choro music genre. The interpretation of the techniques and melodies offers valuable insights for music enthusiasts and inspiration for further development of guitar techniques.

EDUMUSIKAVol. 2(4)
State University of Padang (ID)
Openalex Percentile: Top 49%
Cultural and Artistic Studies
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