NFTs Are Unwanted here! Impact of Blockchain Technology on Elevating Tanzania’s Art Scene

The integration of blockchain technology and Non-Fungible Tokens (NFTs) into Tanzanian art signifies a pivotal moment with transformative potential for artists, drawing on Everett Rogers' Diffusion of Innovations Theory. This discussion explores the implications of merging blockchain and NFTs, focusing on themes like technological decentralisation, cultural empowerment, and associated challenges. Blockchain empowers artists by facilitating direct engagement with a global audience and eliminating the need for intermediaries. It also creates unalterable ownership records, giving artists greater control over their work. NFTs contribute to digitally preserving and sharing Tanzanian cultural heritage, increasing visibility and influence for previously marginalised voices on the international stage. Despite these promising opportunities, integration faces obstacles such as limited technological access and complex legal frameworks, which hinder wider adoption. Addressing these issues requires collaboration to reduce digital inequalities, promote understanding of blockchain technology, and strengthen legal protections. Ultimately, combining blockchain and NFTs could transform the Tanzanian art scene by amplifying cultural voices and protecting heritage in an increasingly digital world. Success depends on effectively managing challenges and capitalising on emerging opportunities.

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Publication Details

Journal
Umma The Journal of Contemporary Literature and Creative Art
Published
2025-06-30
DOI
https://doi.org/10.56279/ummaj.v12i1.3
Primary Topic
Art History and Market Analysis
Type
article
Field-Weighted Citation Impact
0.00

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article

NFTs Are Unwanted here! Impact of Blockchain Technology on Elevating Tanzania’s Art Scene

Erick Edward Mgema
Umma The Journal of Contemporary Literature and Creative Art
Art History and Market Analysis
article

NFTs Are Unwanted here! Impact of Blockchain Technology on Elevating Tanzania’s Art Scene

Erick Edward Mgema
article en

Abstract

The integration of blockchain technology and Non-Fungible Tokens (NFTs) into Tanzanian art signifies a pivotal moment with transformative potential for artists, drawing on Everett Rogers' Diffusion of Innovations Theory. This discussion explores the implications of merging blockchain and NFTs, focusing on themes like technological decentralisation, cultural empowerment, and associated challenges. Blockchain empowers artists by facilitating direct engagement with a global audience and eliminating the need for intermediaries. It also creates unalterable ownership records, giving artists greater control over their work. NFTs contribute to digitally preserving and sharing Tanzanian cultural heritage, increasing visibility and influence for previously marginalised voices on the international stage. Despite these promising opportunities, integration faces obstacles such as limited technological access and complex legal frameworks, which hinder wider adoption. Addressing these issues requires collaboration to reduce digital inequalities, promote understanding of blockchain technology, and strengthen legal protections. Ultimately, combining blockchain and NFTs could transform the Tanzanian art scene by amplifying cultural voices and protecting heritage in an increasingly digital world. Success depends on effectively managing challenges and capitalising on emerging opportunities.

Umma The Journal of Contemporary Literature and Creative ArtVol. 12(1)
University of Dar es Salaam (TZ)
University of Dar es Salaam
Openalex Percentile: Top 80%
Art History and Market Analysis
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