Infinite Transformations in a Suitcase: A Bioart Homage to Cultural Resilience

Understanding and engaging with cultural practices that respond to change and resist oppression are increasingly relevant to critical design in and beyond HCI. While these areas of exploration are no stranger to the practices of bioart and biodesign that draw on the cultural, aesthetic, and practical affordances of living organisms to engage audiences and users in reflection and cultural production, they are less familiar in HCI and computing. In recent years, increased access to low-cost synthetic biology tools and techniques has made it easier for non-experts, including those trained in computing but not biology, to experiment with modifying living organisms for creative and artistic purposes, including at the molecular DNA level. Infinite Transformations in a Suitcase is a multimedia installation that uses bioart, visual art, and music strategies to create a meditative space inviting reflection on the resilience of culture. At its center is a glass of poetry-infused wine created using genetically modified yeast cells whose DNA contains an encoded 14th-century Sufi poem by Hafiz of Shiraz, surrounded by video of it being written in Farsi calligraphy. By combining multiple embodied and abstract poetic elements, the installation invites the audience to reflect on the materiality and movement of culture.

Authors

Institutions

Publication Details

Published
2025-07-18
DOI
https://doi.org/10.1145/3715335.3736307
Primary Topic
Innovative Human-Technology Interaction
Type
article
Field-Weighted Citation Impact
0.00

Funders

Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Infinite Transformations in a Suitcase: A Bioart Homage to Cultural Resilience

Linda Dusman, Foad Hamidi, Lee Boot
Innovative Human-Technology Interaction
article

Infinite Transformations in a Suitcase: A Bioart Homage to Cultural Resilience

Linda Dusman, Foad Hamidi, Lee Boot
article en

Abstract

Understanding and engaging with cultural practices that respond to change and resist oppression are increasingly relevant to critical design in and beyond HCI. While these areas of exploration are no stranger to the practices of bioart and biodesign that draw on the cultural, aesthetic, and practical affordances of living organisms to engage audiences and users in reflection and cultural production, they are less familiar in HCI and computing. In recent years, increased access to low-cost synthetic biology tools and techniques has made it easier for non-experts, including those trained in computing but not biology, to experiment with modifying living organisms for creative and artistic purposes, including at the molecular DNA level. Infinite Transformations in a Suitcase is a multimedia installation that uses bioart, visual art, and music strategies to create a meditative space inviting reflection on the resilience of culture. At its center is a glass of poetry-infused wine created using genetically modified yeast cells whose DNA contains an encoded 14th-century Sufi poem by Hafiz of Shiraz, surrounded by video of it being written in Farsi calligraphy. By combining multiple embodied and abstract poetic elements, the installation invites the audience to reflect on the materiality and movement of culture.

University of Maryland, Baltimore County (US)
National Science Foundation
Climate action
Openalex Percentile: Top 80%
Innovative Human-Technology Interaction
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Infinite Transformations in a Suitcase: A Bioart Homage to Cultural Resilience — Linda Dusman, Foad Hamidi, et al. · (2025) | TGRS Research Map | TGRS