STYLISTIC AND METHODOLOGICAL PERFORMANCE FEATURES OF THE KEY SOPRANO ARIAS IN MOZART'S OPERA “DON JUAN”

The article examines the female characters of W.A. Mozart’s opera “Don Juan”, one of the best operas in Mozart’s work, which marks a deep dive into the cultural code of that time. The composer turned to the eternal plot of the seducer and created a unique interpretation reflecting the mores and ideals of an aristocratic society. There are no works in the research literature that explore the stylistic and methodological performance features of the female roles of Donna Anna and Zerlina, while the key arias of these heroines are often performed by young sopranos studying at universities. The study of these parties in terms of performance and methodological features has become the subject of this article.